said”. Hence Marc’s conclusion: “The nonsense of a word that speaks suggests a painting that reflects on itself while being made; the painting makes its own criticism, begins a discourse on itself in a discourse that, through a talkative metalanguage, attempts to define something irreducible to language. »
Excerpt from the article “Les bonheurs du simulacre”, by Michel Franca, journalist
Impressions d’ateliers, LA CRÉATION CONTEMPORAINE SUR LA CÔTE D’AZUR, by Patrick Boussu, coordinator of the book, Michel Francan journalist and Jean-Michel Sordello, photographer, South Art Éditions
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