Joseph Dadoune s’est fait connaître en Occident et au Moyen-Orient au début des années 2000 grâce à des installations vidéo remarquables et une œuvre photographique originale. A l’occasion d’une exposition personnelle (Khamsin Photography, 2007) au Böhm Trade Center de Düsseldorf, il déclarait : « J’ai aujourd’hui tendance à penser que l’image filmée est la sémantique la plus appropriée, et que le cinéma permet de parler d’un sujet en en concentrant les multiples aspects […] L’installation, par son format (montage, scènes vécues, dispositif) pose aussi la question de comment poser une caméra face à ces choses vécues tout en mettant à distance le pathos ou le sentimentalisme. Si mon propos est de partir de documents, je ne souhaite pas réaliser un travail documentaire. […] Je ne cherche pas à créer une fiction à partir d’une réalité. Je cherche plutôt à ouvrir des portes pour rendre des connexions possibles. »
L’œuvre de Joseph Dadoune n’a cessé d’interroger le judaïsme, le post-colonialisme, la périphérie et l’homosexualité. Ses films et ses photographies éclairent ces violences symboliques archi-contemporaines.
Pour tout créateur – ayant un tant soit peu le sens de l’Histoire – une question se pose perpétuellement : quelle pierre ajouter ? Pour Dadoune, ce serait plutôt : quelle image ajouter aux images déjà-là ? Alain Badiou aurait parlé de nouvelles fictions.
Tel Ad Reinhardt, Joseph Dadoune a décidé d’enterrer l’image, sans pour autant faire table rase de la figure, du signe. Reinhardt aimait envisager ses Black Paintings comme « une icône libre, in-manipulable, inutile, invendable, irréductible, in-photographiable, in-reproductible, inexplicable. » Les Black Boxes de Joseph Dadoune s’inscrivent à leur manière dans la logique moderniste des Ultimate Paintings de Reinhardt. Ces œuvres, aussi sèches, hermétiques et fermées soient-elles – pour reprendre les termes de l’artiste – font pourtant écho à des réalités bien tangibles. Counter Composition V (2011) évoque autant une vulve que l’œuvre éponyme de Theo van Doesburg (1924), ce qui lui a valu d’être présentée par la Galerie Le Minotaure en octobre dernier à la Fiac, aux côtés des œuvres de Hans Bellmer, Marcel Duchamp, Louise Bourgeois, Man Ray ou encore Pierre Molinier. L’histoire contemporaine n’étant jamais très loin, Black Tunnel (2013) symbolise une des galeries souterraines construites par les Palestiniens afin d’acheminer des vivres entre Gaza et l’Egypte. Palm Box renverse l’imagerie d’Épinal fifties des lieux de villégiature. Quant à Black Museum (2011) face à laquelle, un chantre de l’esthétique relationnelle pourrait fantasmer de multiples fictions collectives, nous préfèrerons prendre le temps de nous interroger sur les vies à venir du White Cube. Qu’y a-t-il derrière le White Cube ? Quelle violence symbolique ? Quelle idéologie ? Quelle utopie scelle le Black Museum ? Les essais de Brian O’Doherty apparaissent alors d’une actualité brûlante et nécessaires (voir « Inside the White Cube: The Ideology of the Gallery Space » in Artforum, 1976).
Ces photographies conçues dans un atelier aux fenêtres sans huisseries, ni volet – comme des yeux sans paupières – ouvert sur le dehors, en lien permanent avec la rue, les voisins, les passants, la vie, renvoient nécessairement à une extériorité, à un Autre. Chaque photographie tente de répondre aux questions qui traversent cet ensemble : que se passe-t-il au-delà de l’image ? Derrière l’image ? Derrière la boîte noire ?
Tout comme l’atelier de l’artiste, ces photographies ne sont pas des œuvres fermées, bien au contraire, elles n’imposent ni point de vue autoritaire, ni doxa. Ce sont des œuvres ouvertes au sens où l’entendait Umberto Eco.
Expositions principales à la galerie :
2022 Tout autour, l’eau, Galerie Eva Vautier, Nice
2022 Origine de la joie, Galerie Epi ,Ingrande-sur-loire
2022 Nouvelle Vague, Palazzo Saluzzo Paesana, Turin, Italie
2021 Sous le Chaos La vie, Galerie Mansard, Paris
2021 La mer à l’œuvre, Espace culturel de Port-Lympia, Nice
2021 Ecotopia - Entrevue, Château de la Napoule, Mandelieu-la-Napoule
2020 90° au dessus du feu, Hôtel Windsor, Nice
2020 Alive, Château de la Napoule, Mandelieu-la-Napoule
2015 Chambre de télépathie, SuperVue, Hôtel Burrhus, Vaison-la-Romaine
2015 En une seconde d’inspiration, façade extérieure du MAMAC et du TNN, Nice
Exposition réalisée dans le cadre du festival Réveillons-Nous organisé par Irina Brook
2015 Une sorte de métaphore comme la (planète) Terre, Paris 18ème
Exposition réalisée en partenariat avec l’association Diamètre, Galerie itinérante
2015 Ici la terre, Rosalina, Nice
Expositions collectives
2022 A rose is a pétinua is a mimosa, Galerie Eva vautier, Nice
2021 L’horizon, Galerie Eva Vautier Hors les Murs, La menuiserie, La Motte-Servolex
2020 Avec plaisir III, Galerie Eva Vautier, Nice
2020 Voila l’été, La station, Nice
2020 Fire walk with me, Musée d’art Naif, Nice
2018 Avec plaisir II, Galerie Eva Vautier, Nice
2019 Nopoto, BelOeil, Nice
2019 Bâtir, villa Le Roc Fleury, Cap d’Ail
2019 La vie est un film, 109, Nice
2019 100 titres, BelOeil, Nice
2018 Avec plaisir, Galerie Eva Vautier, Nice
2018 La mémoire et la mer, commissariat Rebecca François, Nice
2018 Private Choice, commissariat Nadia Candet, Paris
2018 Une collection 5, commissariat Camille Frasca, Paris
2017 Rien ne se perd.... , commissariat Camille Frasca, Paris
2017 Une collection, commissariat Camille Frasca, Nice
2016 Un palais idéal des egos étranges, Palais idéal du facteur Cheval, Hauterives
2016 Préfiguration du palais idéal des egos étranges, Palais idéal du facteur Cheval, Hauterives
2015 Odyssée, Galerie La Marine, Nice
Exposition organisée par la Villa Arson, étudiants diplômés 2015
2014 Des corps compétents, Centre d’art de la Villa Arson, Nice
2013 Travaux en cours, Galerie Eva Vautier, Nice
Exposition collective et commissariat organisé en partenariat avec Eva Vautier
2013 Manca, concert performatif, MAMAC, Nice
Performance /Workshops/ Résidences
2019 Polychrome, résidence Utopia, Ponte-Leccia, Haute-Corse
2018 School of Nice – From Pop Art to Happenings, Hong-Kong, French May 2018, direction d’un workshop sur la performance en tant que représentant de l’Ecole de Nice.
2013 Avatar, workshop, École d’art de l’Université Laval, Québec, Direction Pascal Broccolichi et Julie Faubert
2012-2013, Des corps compétents, workshops, HEAD, Génève, Suisse sous la direction de Arnaud
Label Rojoux, Patrice Blouin et Christophe Kihm
2011 Concerts et performances Fluxus, Performance au MoMA (Newyork City) avec Ben Vautier Foires
2019 DrawingNow, Paris, Galerie Eva Vautier,
2018 ArtParis, Paris, Galerie Bertheas,
2022 Aleas, commissariat Alain Jaquet, exposition en appartement avec Jacque Renoir
2018 Emosophia, commissariat Caterina Zevola Open Bach, Paris (avec Bertrand Lanthiez)
2017 Derrière la Mer, Galerie de Beuil, Beuil (avec Anne-laure Wuillai)
2021 Orées, Villa Cameline, Nice
2020 Sous la glace l’eau, Caisse d’épargne de Nice Masséna, Nice,
2020 En présence de, Chapelle Sainte-Elisabeth, Villefranche-sur-Mer
2019 Azimuth, Galerie Eva Vautier, Nice, et le FRAC PACA dans le cadre Des marches et démarches
2015, DNSEP, Villa Arson, École Nationale Supérieure des Beaux-Arts de Nice
2013, DNAP, Villa Arson, École Nationale Supérieure des Beaux-Arts de Nice
2011, Licence III Philosophie, Université Nice Sophia Antipolis
2022 Tout autour, l’eau, Manifeste écologique et social de l’exposition Tout autour, l’eau
2022 Nouvelle Vague, Catalogue d’exposition
2019 Ecotopia, livre sur le projet écotopia
2014 Ici la terre, le mémoire, Mémoire de fin d’études dirigé par Joseph Mouton et Thomas Golsen, Villa Arson, Nice
2014 Ici la terre, l’expédition, Coédition pour le projet Ici la terre, réalisée avec les textes de Tristan Blumel
Biographie
Benoît Barbagli né en 1988 à Nice.
Il vit et travaille entre Paris et Nice.
Documentation externe
Demande d'informations
Formulaire de demande d'informations sur l'artiste Joseph Dadoune
Joseph Dadoune
Joseph Dadoune made a name for himself in the West and the Middle East in the early 2000s with remarkable video installations and original photographic work. On the occasion of a solo exhibition (Khamsin Photography, 2007) at the Böhm Trade Center in Düsseldorf, he declared: “Today I tend to think that the filmed image is the most appropriate semantics, and that cinema allows us to talk about a subject by concentrating its multiple aspects […] The installation, by its format (montage, lived scenes, device) also poses the question of how to place a camera in front of these lived things while putting at a distance pathos or sentimentality. If my intention is to start from documents, I do not wish to make a documentary work. [I do not seek to create a fiction from a reality. Rather, I seek to open doors to make connections possible.”
Joseph Dadoune’s work has consistently questioned Judaism, post-colonialism, the periphery and homosexuality. His films and photographs shed light on this arch-contemporary symbolic violence.
For any creator – with any sense of history – there is always a question: which stone to add? For Dadoune, it would be more like: what image to add to the images already there? Alain Badiou would have spoken of new fictions.
Like Ad Reinhardt, Joseph Dadoune has decided to bury the image, without making a clean sweep of the figure, the sign. Reinhardt liked to think of his Black Paintings as “a free, unmanipulable, useless, unsellable, irreducible, unphotographable, unreproducible, inexplicable icon.” Joseph Dadoune’s Black Boxes are, in their own way, part of the modernist logic of Reinhardt’s Ultimate Paintings. These works, as dry, hermetic and closed as they may be – to use the artist’s words – nevertheless echo very tangible realities. Counter Composition V (2011) evokes a vulva as much as Theo van Doesburg’s eponymous work (1924), which is why it was presented by the Galerie Le Minotaure last October at the Fiac, alongside works by Hans Bellmer, Marcel Duchamp, Louise Bourgeois, Man Ray or Pierre Molinier. With contemporary history never far away, Black Tunnel (2013) symbolizes one of the underground galleries built by Palestinians to transport food between Gaza and Egypt. Palm Box overturns the fifties epinal imagery of the resort. As for Black Museum (2011), in front of which, a champion of relational aesthetics could fantasize multiple collective fictions, we prefer to take the time to wonder about the future lives of the White Cube. What is behind the White Cube? What symbolic violence? What ideology? What utopia seals the Black Museum? Brian O’Doherty’s essays appear then of a burning topicality and necessary (see “Inside the White Cube: The Ideology of the Gallery Space” in Artforum, 1976).
These photographs, conceived in a studio with windows without frames or shutters – like eyes without eyelids – open to the outside world, in permanent contact with the street, neighbors, passers-by, life, necessarily refer to an exteriority, to an Other. Each photograph attempts to answer the questions that run through this set: what happens beyond the image? Behind the image? Behind the black box?
Like the artist’s studio, these photographs are not closed works, on the contrary, they impose neither authoritarian point of view, nor doxa. They are open works in the sense that Umberto Eco meant it.
Elodie Antoine ,2014
Yoseph Joseph Dadoune
Born in 1975 in Nice
Lives and works in Paris
PERSONAL EXHIBITIONS (Selection)
2021
IncarnaSion
. Galleries Le Minotaure & Alain Le Gaillard. Paris. EN
In Another Green
. Alliance Française. New delhi. IN ( Curated: Achia Anzi )
2020
Perspective
. On arty minute, online exhibition during the health crisis. Paris. Fr (curator: Doron Von Beider)
2018
Family Album
. curators: Leor Grady, Orit Mor, Barbara Wolffer, The Lobby, Tel Aviv
Yosef Joseph Dadoune, Roots. Text: Raphaël Sigal. Éva vautier Gallery, Nice
2017
Grooves. curator : Isabelle Bourgeois, Espace Richaud, Versailles
2016
In praise of the Sequence
. curators: Leor Grady, Orit Mor, The Lobby Art Space, Tel Aviv
<< For whom are these snakes that hiss on your heads>>, curator : Isabelle Bourgeois, Beit Uri and Rami Nehostan Museum, Kibbutz Ashdod Yaakov Meuhad, Israel
2015
Border Notes, Yosef Joseph Dadoune and Eyal Assulin, curator : Ziva Yalin, Be’eri gallery, Kibbutz Be’eri, Israel
Joseph Dadoune, curator : Isabelle Bourgeois, guest artist PAREIDOLIE, Salon international du dessin contemporain, Marseille
2014
Le Kiosque Noir, Art space le Moulin, La Valette, France
Le Musee Noir, Eva Vautier Gallery, Nice, France
2012
Ofakim, (Curator: Eyal Assulin), Sapir College’s School of Art, Sderot, Israel
Ofakim, (Curator: Drorit Gur Arie), La Bulle, French Institute, Tel-Aviv, Israel
Ofaqim, (Curator: Drorit Gur Arie) Petach Tikva Museum, Petach Tikva, Israel
2008
3 films by Joseph Dadoune (Premier-monograph), Tel Aviv Cinematheque, Tel Aviv, Israel
2007
Joseph Dadoune A Cinematic Trilogy, (monograph) (Curator: Drorit Gur Arie) Petach Tikva Museum, Petach Tikva, Israel
Purifying Love, curator: Dr Sania Papa, Track7artsLaboratorium, Athens, Greece
Project Room #1: “Universes”, Martine Aboucaya Gallery, Paris, France
2006
Milk Teeth, Janco Dada Museum, Ein Hod, Israel
Chanti, Experimental space, Le Plateau Contemporary Art Center / FRAC Ile de France, Paris, France
2005
Images from the movie Universes, EspaceCulture, in association with the6th Israeli film festival, Marseille, France
2004
Universes, Joël Scholtès Gallery, Nice, France
Universes, Alon Segev Gallery, Tel Aviv, Israel
Universes, the artists’ house, Jerusalem, Israel
2002
Limited Club, Joël Scholtès Gallery, Nice, France.
2001
The Cold Room, French Institute, Tel-Aviv, Israel
Welcome to the Club, Alon Segev Gallery, Tel Aviv, Israel
La Viande Autrement / L’autre Substance – Mode d’emploi… Passage de Retz, Paris, France
2000
Le Cabinet / Temple, Eric Dupont Gallery, Paris, France
1999
Prophylaxis Production, Galerie du Tableau, Marseille, France
Le Réduit, observation / concentration – The Organ, emission / reception, Contemporary Art Space Le Faubourg, Strasbourg, France
1996
Les Valises Itinérantes, Le Chanjour Gallery, Nice, France
Group exhibitions ( Selection ) :
2022:
And also Blooms. Geula gallery. Jerusalem. IL (Curator: Elhai Salomon)
OnBalance. Wegrzyn’s house. London. UK (curators: Ilana Wegrzyn, Keren Bar-Gil, Podrojski Sharon)
Longing Be-longing. Ras Al Khaimah Fine Arts Festival. Ras Al Khaimah. UAE (curator: Sharon Toval)
In betweeners
. Cultural space Mémoire de l’Avenir (curators: Doron Polak, Henie Westbrook, Margalit Berriet, Marie-Cécile Berdaguer)
2021
Object # 1. The Lobby. Tel Aviv. IL (curator: Orit Mor)
On the table. Municipal Art Gallery. Giv’atayim. IL (curators: Doron Polak, Rafael Barbibaï)
Pareidolia, international exhibition of contemporary drawing, Galerie Éva Vautier, Marseille, FR
Disorienting FRAC Normandie-Rouen, Jardin des plantes de Rouen – Pavillon 17e. FR (curator: Véronique Souben)
Transmission. Joyce yahouda gallery, Montreal, CA (curator: Drorit Gur Arie)
Airspace. Municipal Art Gallery, Ramat Hasharon, IL (curator: Ravit Harari)
Communication Disorder. Seminar kibbutzim Gallery, Tel aviv, IL (curator: Drorit Gur Arie)
2020
Transmission’.
. APT, London, UK (curator Drorit Gur Arie)
Outside Box 2
. Old Jaffa, Jaffa, Il (curators: Liav Mizrahi & Yael Rozin)
1 meter of distance
, Éva Vautier gallery, Nice, FR
Constelaciones
. MUNTREF, El Museo de la Universidad Nacional de Tres de Febrero Buenos Aires, AR (curator: Diana Wechsler & Benedetta Casini)
Vividus
. Petach Tikva Museum of Art, IL (curator: Bar Yerushalmi)
2019
With pleasure #2. Éva Vautier Gallery, Nice, FR
Naked Soul: Chaïm Soutine
. Ein Harod museum, Kibbutz Ein Harold, IL (curators: Yaniv Shapira, Surya Sadekova, Batsheva Goldman-Ida)
Hshuma
. Museum and Center of Contemporary Art, Bellinzona, CH (curator Sharon Toval)
Teder print fair, Teder, Tel Aviv, IL (curator: Michael Liani)
Family trees, FRAC Normandie Rouen, The botanical garden fo Rouen, FR Rouen, FR (curator Véronique Souben)
Revelation
. ANNE+ Gallery, Paris, FR
Jacqueline Kahanoff: The Levant as a Parable
. MUSA museum, Tel aviv, IL (curator: Sara Turel)
2018
THE LAND OF PROMISE. curator: Tamás Don. MODEM Modern and Contemporary Arts Centre, Debrecen, Hungary
Make Up, curators: Drorit Gur Arie & Tal Schwartz, Labirynt Gallery, Lublin, Poland
FROTTEMENT, 10th edition of Arts Éphémères, curated by: Isabelle Bourgeois & Martine Robin, Parc et Salons de Maison Blanche, Marseille
TO THE END OF LAND, curated by: Drorit Gur Arie & Or Tshuva. National Gallery of Modern Art New Delhi, India
RESONANCE, FRAC Normandie Rouen, Musée des Beaux-Arts de Rouen, Rouen, France
2017
Blues prints II, models, curator: Orit Mor. The Lobby art space, Tel Aviv
Inconfort moderne, curator : Annie Aguettaz / Imagespassages, La Fabric, Fondation Salomon, Annecy, France
I love you Ronit Elkabetz, curator: Yaara Keydar. Art director: Shlomi Elkabetz, Design museum, Holon, Israel
To and Fro, curator: Dr. Batsheva Goldman-Ida. The Jerusalem Biennale, Van Leer Jerusalem Institute, Jerusalem
Materials for Thought Selection from the Museum Collection. Curators: Dalia Manor & Nirit Dahan. Negev Museum, Beer Sheva, Israel
2016
D’UNE MEDITERRANEE, L’AUTRE, Italian curators : Francesco Bonami & Emanuela Mazzonis, French curators : Pascal Neveux & Ricardo Vazquez, Hôtel des Arts, Toulon
À L’HEURE DU DESSIN 4e TEMPS, curator: Martine Robin. Chateau de Serviers, Marseille
FUNDAMENTAL, curated by: Drorit Gur Arie. 5th Mediations Biennial. Poznań, Poland
Post- postmodernism ≠ Utopia, “Extremely Loud and Incredibly Close”. Curators: Svetlana Reingold. Haifa Museum of Art, Haifa, Israel
Alchemy of Words: Abraham Abulafia, Dada, Lettrism, curated by: Bat Sheva Ida Goldman. Tel Aviv museum of Art, Tel Aviv
STRATA, curator: Drorit Gur Arie. CIRCLE1 Gallery, Berlin
Alt- Neu, curator: Nogah Davidson. Rosenbach Contemporary gallery, Jerusalem
2015
Imago Mundi – Mappa dell’arte nuova. Luciano Benetton Collection, curator: Naomi Aviv. Fondazione Giorgio Cini, Venice
Bibliologia: The Book as Body, curators: Drorit Gur Arie & Raphael Sigal. Petach Tikva Museum, Petach Tikva, Israel
‘Stains And Stampings’, Mizrahi and Palestinian Identity in Visual Art in Israel, curated by: Shula Keshet and Farid Abu-Shakr. Sister Gallery, Tel-Aviv, and at Art Gallery, Latin Quarter, Nazareth
“Mediterranean Expressions. From poetry to commitment”, Hôtel des Arts, Toulon, France
Recurrence: Rituals, Place, and History, ( Curator : Drorit Gur Arie ) The Nicosia Municipal Arts Centre & the Pierides Foundation, Nicosia, Syprus
A year of light, Eva Vautier Gallery, Nice, France
Border Notes, Eyal Assulin and Yosef Joseph Dadoune, ( Curator : Ziva Yalin ) Be’eri gallery, Kibbutz Be’eri, Israel
2014
Inhabiting the World, ( Curator : Olivier Kaeppelin ), Busan Biennale 2014, Busan, Korea ( Republic of )
Projecting Art – Curator : Sophia Dekel-Caspi, Ilana Goor Museum, Jaffa, Israel
Mazal U’braha, Myth and Superstition in Contemporary Israeli Art, ( Curator : Carmit Blumensohn ), Beit Hatfutsot, Tel Aviv, Israel
Ruins, ( Curator: Nitsa Peri ), City Lights, Aneba Parc, Modiin, Israel
THE DISASTERS OF WAR, 1800-2014, ( Curator : Laurence Bertrand Dorleac ) Louvre Museum, Lens, France
Until you get out of my voice, ( Curated by : Yuval Beaton & Roni Cohen-Binyamini ), Ashdod Art Museum, israel
“Confluence: Israel”, ( Curator : Shosh Dagan ), Art Center Sarasota, USA
Measure for Measure, ( Curators: Drorit Gur Arie & Hila Cohen-Schneiderman ), Petach Tikva Museum, Petach Tikva, Israel
Confrontation” ( Curator : Marie Shek ), Galerie Le Minotaure & Galerie Alain Le Gaillard, Paris, France
2013
21/12″ shelving exhibition, ( By : Audrey Illouz, Nathalie Brevet & Hughes Rochette ) La Ruche, Paris, France
No Place ( Curator: Jonathan Touitou ) BAAD Reservoir Gallery, Bezalel Academy of Arts and Design, Tel Aviv, Isarel
“Paris – Tel-aviv, a history of black & white”, ( Curator : Marie Shek ), The Salon Art+Design, New York, USA
SEX, HUMOR & ABSTRACTION – Text: Bernard Marcadé Scenography: Mathieu Mercier, GALERIE LE MINAUTORE, FIAC 2013, Paris
Honey, I rearranged the Collection – Philippe Cohen Collection ( Curator : Ami Barak ) Passage de Retz, Paris
CroSSing SpaCe “Hotel de inmigrantes”, Kunsthalle Faust, Hannover, Germany
SCHWereloS, ( co-curated by Drorit Gur Arie & harro Schmidt ), Kunsthalle Faust, Hannover, Germany
The Compromised Land: Recent Photography and Video from Israel, ( co-curated by Helaine Posner, guest curator Lilly Wei ), Neuberger Museum of Art, NYC, USA
Black Point, ( Curators Shula Keshet & Yoram Blumenkrantz ), Black Night event, Achoti (Sister) house, Tel Aviv
Rise Be’er, MA curators program ( Stav Bar On & Stav Tehodor ) Ben Gurion University, Habeer, art and Visual media center, Beer Sheva, Israel
MOMENTUM Paris – Tel Aviv – Paris, ( Curator Marie Shek ), Minotaure Gallery, Tel Aviv, Israel
En Route, ( Curator : November Wanderin ), Gallery Ermanno Tedeschi, Tel Aviv, Israel
The Appearance of Images ( Curator: Audrey Illouz ) , Fondation Ricard, Paris, France
Lyrical Correctness ( Curator : Micha Kirshner ) Wizo Haifa Academy of Design and Education, Haifa, Israel
2012
Great Wide Open: New and Old in the Collection, ( Curator: Amitai Mendelsohn ), The Israel Museum, Jerusalem, Israel
The Unknown, (Curator: Drorit Gur Arie), Mediations Biennale, Poznan, Poland
Frontiers/Territories, ( Curator : Maud Calmé et Luc Texier ), ArtCourtVideo, Palais de l’Achevêché, Arles, France
Black Box, ( Curator : Rami Maymon ), #2 International Photography Festival, Jaffa Port, Israel
Tectonic Faults, ( Curator: Drorit Gur Arie ), Beit Mani (Mani House), Tel Aviv, Israel
Terra Mediterranea – In Crisis, ( curated by Yiannis Toumazis ) the Nicosia Municipal Arts Centre, Nicosia, Syprus
In memory of Boaz Tal ( Curator : Dr Sorin Heller ), The artists’ house, Tel Aviv, Israel
ICI/PARIS – Curator Marie Shek, Galerie Michel Rein, Paris, France
The desire of Paris, ( Curator : Svetlana Reingold ), Mané Katz Museum – Haifa, Israel
Baad Influence, BAAD Reservoir Gallery, Bezalel Academy of Arts and Design, Tel Aviv, Isarel
The Armory Show, Vivian Horan Gallery, NYC, USA
Works on paper, Vivian Horan Gallery, NYC, USA
“Israel From Within and from Without”, ( Curators : Rinat Harel, Holland Dieringer, and Stuart Steck ) Good Question Gallery, New Jersey, USA
2011
inSALAAM inSHALLOM ( Curator : Ayelet Bitan Shlonsky & Claudette Zorea ), Beit H’air – Urban Culture Museum, Tel Aviv, Israel
Site Specific ( Curator : Carmit Blumensohn ) The Open University Department of Literature, Language and the Arts, Raanana, Israel
lyrical correctness ( Curator : Katharina Mayer ), August-Pieper-Haus Bischöfliche Akademie, Aachen, Germany
Southern Spirit – Aspects of the Negev in Contemporary Israeli Art ( curator Dr Dalia Manor ) The Genia Schreiber University Art Gallery, Tel Aviv University, Tel Aviv, Israel
AD – DRESS : Thoughs on Garments, ( Curator : Sophia Dekel-Caspi ), Jerusalem Artists’ House, Jerusalem, Israel
Southern Spirit, Aspects of the Negev in Contemporary Israeli Art ( curator : Dr Dalia Manor ), Negev Museum Beer Sheva, Beer Sheva, Israel
Home, Memory, Place: Negev, ( curator : Israel Rabinovitsh ), Kay academic college, Beer Sheva, Israel
Lyrical Correctness, ( curator : Katharina Mayer ), FiftyFifty Galerie, Dusseldorf, Germany
Schwarze Wielde Chaye, ( Curator : Liav Mizrahi ), Zemac Contemporary Art, Tel Aviv
“Israel From Within and from Without”, ( Curators : Rinat Harel, Holland Dieringer, and Stuart Steck ) Rubin-Frankel Gallery, Boston University Hillel, Boston, USA
site specific, ( Curator: Carmit Blumenson ), 10 Gallery, Bet Michal, Rehovot, Israel
2010
Far away, Right here, ( A project by: Fabio Morais & Marilá Dardot ), 29th São Paulo Biennial, Sao Paulo
The Exotic West, ( Curator : Dor Guez ) The Jewish Cultural Centre, parallel to the São Paulo Biennial, Sao Paulo
Fresh Paint 3, Inga Gallery of Contemporary Art, Tel Aviv, Israel.
The “Old Man” : David Ben-Gurion and His Legacy in the Mirror of Israeli Art, ( Curator Prof. Haim Maor ), Ben-Gurion University of the Negev, Israel
In Detail: From the Collections of Arnie Druck ( Curator : Yeala Hazut ), Haifa Museum of Art, Haifa, Israel
2009
The Winners for 2008 The Ministry of Culture and Sport, Prizes in Art and Design, ( Curator : Galia Bar Or ) Museum of Art, Ein Harod, Israel.
Consolation ( Hosting by: David Adika ) Inga Gallery of Contemporary Art, Tel Aviv, Israel.
Forbidden Juctions, ( Curator: Dor Guez ) The Israeli Center for Digital Art, Holon, Israel.
2008
Silencio, ( Curator : Audrey Illouz ) Vermelho Gallery, Sao Paolo, Brazil
Local, 10 Exhibitions. ( Curator : Shelly Cohen ) The Architect’s House Gallery, Jaffa, Israel
Sehnsucht (Aspiration), ( Curator : Dr Georges Armaos ), Light & Sie Gallery, Dallas, Usa
2007
Of Ar, The architcture worker, Curator: Shelly Cohen, Architect & Dr Shani Bar-On, The Gallery of the Achitect house, Jaffa, Israel
“Crossings” The Nicosia Municipal Arts Centre, The Pierides Foundation, Nicosia, Cyprus
2006
In Between Places: New Art from Israel (curator: Kari Conte),Vivian Horan Gallery, New York, United-States
New Territories (curator : Michel Dewilde) Hall of Bruges, Belgium
2005
Arab Jews and Arab (curators – Shula Keshet and Zahad Harsh, kufur-kassem), Israel
Border Lines Action Field KODRA 2005. Curator: Sania Papa, Kalamaria, Thessaloniki, Greece.
Israeli photographers Photographing Themselves Photographing, (curator: Prof Mordechai Omer) – The Genia Schreiber University Art Gallery – Tel Aviv University Ramat Aviv, Tel Aviv, Israel
2004
“you don’t look hungry to me…” (curators: Michal Shamir & Orly Welkovsky), Limbus Gallery, Tel Aviv, Israel
In memory of Dan Zakhem, Shelter 209, Tel Aviv, France
2003
Israeli Object / a Matter of Time (curator: Tsofia Dekel), The Israel national museum of science, planning & technology, Daniel & Matilde Recanati Center, Haifa, Israel
2002
Arts & Food (curator: Hagite Elon), The Israel Museum, Jerusalem
Artists’ toys, Joël Scholtès Gallery, Nice
Clinic, Rosenfeld Gallery, Tel Aviv, France
2001
The Cold Equator, Daniel Azoulay Gallery, Miami, United States
Jolie attaque pour perdre, La Station, Espace des arts, Colomiers, France
2000
Kaleidoscope, Mediarama Logoscope, Monaco
Lucy sweetie darling, Roselyne & Patrick Michaud collection, La Station, Galerie du Château, Nice, France
Pioneer Hotel, Triangle France, la Friche la belle de mai, Marseille, France
SCREENINGS ( Selection ) :
2014
The Giant, ( Curator: Eitan Buganim ), artists studio Tel Aviv, Tel Aviv Israel
2012
inSALAAM inSHALLOM ( Curator : Ayelet Bitan Shlonsky & Claudette Zorea ), Beit H’air – Urban Culture Museum, Tel Aviv, Israel
2010
Others2Specify ( Curated by : SpecifyOthers ) White Box, NYC
2007
Fiac cinema (Guest curator : d.c.a / Centre Photographique d’Ile-de-France) Palais de Tokyo, Paris
Film Museum Dusseldorf, Dusseldorf
2006
Filmed at the Louvre, (Curator: Marie-Laure Bernadac) The Louvre Museum, Paris, France
Museum of Modern and Contemporary Art, Strasbourg, France in connection with the Apollonia project “Artists from here and there, a dynamics for the territories
CROSSINGS a contemporary view, Fort Saint Angelo, Birgu, Malta
2005
Museum of Modern and Contemporary Art, Nice, France
Le miroir, Marseille Museums theater, France
TRAININGS
2012
Superior School of Fine Arts, Toulon, France
2011
The Artis Grant Program, Artis, NYC, USA
2008
Young Artist’s Prize, Israeli Ministry of Science, Culture & Sports Prize, Israel
Artist Prize, South Film Festival, Sderot, Israel
2004
European Association for Jewish Culture, Paris, France
2003
Creation grant, French Judaism Foundation, Paris, France
2001
Alliance Israélite Universelle, Paris, France
FESTIVALS
2010
South Film Festival, Sderot, Israel
2009
City Shelter, Sapir Academic College, Sderot, Israel
Displacement, ( Curator : Irena Gordon ) MusraraMix#9 International Festival for Art, Culture and Society, Musrara, Jerusalem
2008
South Film Festival, Sderot, Israel
2005
Focus on Israeli filmmaking, Marseille (6th edition)
5th Israeli film festival, Paris
RESIDENCES
2014
Schir Residency, Berlin, Germany
2012
Villa Tamaris, La Seyne sur Mer, France
2011
Artist Pension Trust studio, Brooklyn, USA
2007
Mishkan Amanim, Herzlia. Israel
Gast Atelier Stadt Dusseldorf, Kunstler Hous, Dusseldorf, Germany
2006
Production workshop, Centre Photographique d’Ile-de-France (Contemporary Art Center for Photography), Pontault-Combault, France
Cité internationale des arts, Paris
2005
Apollonia Strasbourg & ArtBOX Greece. (curator: Sania Papa. Kalamaria, Thessaloniki, Greece
200ִִ4-5
Cité internationale des arts, Paris, France
2000
Triangle France, Marseille, France
CONSERVATION PROJECTS
2006
Amit Berlovitz (Me, Them…) Female photographic relationship, Publisher: Raw Art Gallery, Tel Aviv, Israel (catalog)
2004-2005
Quickly! Vite ! du Noir…Atelier 8422, Cité Internationale des Arts, Paris, France
2002
Clinic, Rosenfeld Gallery, Tel-Aviv, Israel (catalog).