{"id":1117,"count":1,"description":"Florian Pugnaire pays particular attention to the notion of the workshop as a place of practice, but also as a place of \ufb01ction, an in-between where the goal of work is not yet defined and where everything can still be invented or modi\ufb01ed. Through a personal or collaborative practice (with David Raffini), he shows an interest in the process of fabrication and creation, and situates his work in an intermediate space between the workshop and the exhibition space.\n\n \n\nHe works on the material, time and space contained in the act of creation. In this, he joins Robert Morris, who \u2013 in rejection with Greenbergian thought \u2013 refused in 1970 to see the work as a timeless, finished object, which would only be experienced optically: \u201cI think that, in the past (\u2026), such efforts [the creative process] have been seen as an unsystematized sequence of technical, anecdotal or biographical facts, unrelated to the real \u201cwork\u201d, plated as a timeless deposit and frozen on the flypaper of culture. 1 \u00bb\n\n \n\nThrough a field of cultural references revolving around martial arts (L.E.W. Q , Shadow Boxing, Stunt Lab), the automobile (Dyane +, Expanded Crash) and the world of the building site (In Fine, Meurtri\u00e8res), Florian Pugnaire produces constant back and forth between sculpture and video: \u201cThese connections between \ufb01lm and sculpture, then between sculpture and narrative, involving the time factor and summoning the image, are the essential data of Florian Pugnaire\u2019s personal works (the recent Stunt Lab, \ufb01lm of a combat choreographing the destruction of a set, projected with the compression of the latter at its side, offers a very immediate example of these combinations. 2 \u00bb\n\n \n\nPauline Thyss\n\n","link":"https:\/\/eva-vautier.com\/en\/produit\/artists\/pugnaire-florian-en\/","name":"Pugnaire Florian","slug":"pugnaire-florian-en","taxonomy":"product_cat","parent":989,"meta":[],"menu_order":33,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pugnaire Florian Archives ~ Galerie Eva Vautier<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eva-vautier.com\/en\/produit\/artists\/pugnaire-florian-en\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pugnaire Florian Archives ~ Galerie Eva Vautier\" \/>\n<meta property=\"og:description\" content=\"Florian Pugnaire pays particular attention to the notion of the workshop as a place of practice, but also as a place of \ufb01ction, an in-between where the goal of work is not yet defined and where everything can still be invented or modi\ufb01ed. Through a personal or collaborative practice (with David Raffini), he shows an interest in the process of fabrication and creation, and situates his work in an intermediate space between the workshop and the exhibition space. He works on the material, time and space contained in the act of creation. In this, he joins Robert Morris, who \u2013 in rejection with Greenbergian thought \u2013 refused in 1970 to see the work as a timeless, finished object, which would only be experienced optically: \u201cI think that, in the past (\u2026), such efforts [the creative process] have been seen as an unsystematized sequence of technical, anecdotal or biographical facts, unrelated to the real \u201cwork\u201d, plated as a timeless deposit and frozen on the flypaper of culture. 1 \u00bb Through a field of cultural references revolving around martial arts (L.E.W. Q , Shadow Boxing, Stunt Lab), the automobile (Dyane +, Expanded Crash) and the world of the building site (In Fine, Meurtri\u00e8res), Florian Pugnaire produces constant back and forth between sculpture and video: \u201cThese connections between \ufb01lm and sculpture, then between sculpture and narrative, involving the time factor and summoning the image, are the essential data of Florian Pugnaire\u2019s personal works (the recent Stunt Lab, \ufb01lm of a combat choreographing the destruction of a set, projected with the compression of the latter at its side, offers a very immediate example of these combinations. 2 \u00bb Pauline Thyss\" \/>\n<meta property=\"og:url\" content=\"https:\/\/eva-vautier.com\/en\/produit\/artists\/pugnaire-florian-en\/\" \/>\n<meta property=\"og:site_name\" content=\"Galerie Eva Vautier\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@EvaVautier\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"CollectionPage\",\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/produit\\\/artists\\\/pugnaire-florian-en\\\/\",\"url\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/produit\\\/artists\\\/pugnaire-florian-en\\\/\",\"name\":\"Pugnaire Florian Archives ~ Galerie Eva Vautier\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/produit\\\/artists\\\/pugnaire-florian-en\\\/#breadcrumb\"},\"inLanguage\":\"en-US\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/produit\\\/artists\\\/pugnaire-florian-en\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Artistes de la galerie\",\"item\":\"https:\\\/\\\/eva-vautier.com\\\/produit\\\/artistes-de-la-galerie\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Florian Pugnaire\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/\",\"name\":\"Galerie Eva Vautier\",\"description\":\"Galerie d&#039;art contemporain\",\"publisher\":{\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/#organization\",\"name\":\"Galerie Eva Vautier\",\"url\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"http:\\\/\\\/eva-vautier.com\\\/wp-content\\\/uploads\\\/2018\\\/09\\\/logo-galerie-illustrator-04-1.png\",\"contentUrl\":\"http:\\\/\\\/eva-vautier.com\\\/wp-content\\\/uploads\\\/2018\\\/09\\\/logo-galerie-illustrator-04-1.png\",\"width\":200,\"height\":24,\"caption\":\"Galerie Eva Vautier\"},\"image\":{\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/evavautier\\\/\",\"https:\\\/\\\/x.com\\\/EvaVautier\",\"https:\\\/\\\/www.instagram.com\\\/galerieevavautier\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Pugnaire Florian Archives ~ Galerie Eva Vautier","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/eva-vautier.com\/en\/produit\/artists\/pugnaire-florian-en\/","og_locale":"en_US","og_type":"article","og_title":"Pugnaire Florian Archives ~ Galerie Eva Vautier","og_description":"Florian Pugnaire pays particular attention to the notion of the workshop as a place of practice, but also as a place of \ufb01ction, an in-between where the goal of work is not yet defined and where everything can still be invented or modi\ufb01ed. 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