{"id":1041,"count":10,"description":"Fr\u00e9d\u00e9rique Nalbandian is a graduate of the \u00c9cole Pilote Internationale d\u2019Arts et de Recherches, Villa Arson, Nice. Since these years spent experimenting with forms in the making, she has been refining her science of materials and her interest in the vast and troubling question of the flow of time. Soap still occupies a predominant place in her work as a sculptor, but also plaster and glass. On occasion, these substances are loaded with water, air, carmine red pigment and coal powder, become impregnated and even bruised. Chemical exchanges thus take place in installations that follow the laws of fallow landscapes or interact with architectural spaces full of meaning. In these works, from which emerge as many balanced volumes as \u201cintranquilous\u201d structures, the artist uses motifs such as the circle and the column. In other works that say something about man\u2019s relationship with the world, it is a question of the ear and understanding, of hands in prayer and near silence. Here, receptacles with their large surfaces of vibration, there, concretions made of folds and meanders like those of the brain for example. Undeniably, these works, because of their repetitive force and their power to integrate linguistic signs \u2013 one must listen to the titles the artist attributes to his works -, impose the idea of a quest that is haunted by the poetic and haunted by what makes it a prodigy: the blossoming of meaning, its possible dehiscence, without recourse to argumentation or the slightest dialectical system. Finally, it must be said that Fr\u00e9d\u00e9rique Nalbandian executes a number of drawings in which a weaving between references to the history of art and imprecise anatomy emerges with varying degrees of sharpness on the paper. A partition, one could say, between what would be the desire to describe the whirling of the sky and the desire to put man back at the center of the system \u2026\n\n \n\n \n\nText by Ondine Br\u00e9aud-Holland (excerpts from the artists\u2019 dictionary)","link":"https:\/\/eva-vautier.com\/en\/produit\/artists\/nalbandian-frederique-en\/","name":"Nalbandian Fr\u00e9d\u00e9rique","slug":"nalbandian-frederique-en","taxonomy":"product_cat","parent":989,"meta":[],"menu_order":28,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nalbandian Fr\u00e9d\u00e9rique Archives ~ Galerie Eva Vautier<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eva-vautier.com\/en\/produit\/artists\/nalbandian-frederique-en\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nalbandian Fr\u00e9d\u00e9rique Archives ~ Galerie Eva Vautier\" \/>\n<meta property=\"og:description\" content=\"Fr\u00e9d\u00e9rique Nalbandian is a graduate of the \u00c9cole Pilote Internationale d\u2019Arts et de Recherches, Villa Arson, Nice. Since these years spent experimenting with forms in the making, she has been refining her science of materials and her interest in the vast and troubling question of the flow of time. Soap still occupies a predominant place in her work as a sculptor, but also plaster and glass. On occasion, these substances are loaded with water, air, carmine red pigment and coal powder, become impregnated and even bruised. Chemical exchanges thus take place in installations that follow the laws of fallow landscapes or interact with architectural spaces full of meaning. In these works, from which emerge as many balanced volumes as \u201cintranquilous\u201d structures, the artist uses motifs such as the circle and the column. In other works that say something about man\u2019s relationship with the world, it is a question of the ear and understanding, of hands in prayer and near silence. Here, receptacles with their large surfaces of vibration, there, concretions made of folds and meanders like those of the brain for example. Undeniably, these works, because of their repetitive force and their power to integrate linguistic signs \u2013 one must listen to the titles the artist attributes to his works -, impose the idea of a quest that is haunted by the poetic and haunted by what makes it a prodigy: the blossoming of meaning, its possible dehiscence, without recourse to argumentation or the slightest dialectical system. Finally, it must be said that Fr\u00e9d\u00e9rique Nalbandian executes a number of drawings in which a weaving between references to the history of art and imprecise anatomy emerges with varying degrees of sharpness on the paper. A partition, one could say, between what would be the desire to describe the whirling of the sky and the desire to put man back at the center of the system \u2026 Text by Ondine Br\u00e9aud-Holland (excerpts from the artists\u2019 dictionary)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/eva-vautier.com\/en\/produit\/artists\/nalbandian-frederique-en\/\" \/>\n<meta property=\"og:site_name\" content=\"Galerie Eva Vautier\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@EvaVautier\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"CollectionPage\",\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/produit\\\/artists\\\/nalbandian-frederique-en\\\/\",\"url\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/produit\\\/artists\\\/nalbandian-frederique-en\\\/\",\"name\":\"Nalbandian Fr\u00e9d\u00e9rique Archives ~ Galerie Eva Vautier\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/produit\\\/artists\\\/nalbandian-frederique-en\\\/#breadcrumb\"},\"inLanguage\":\"en-US\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/produit\\\/artists\\\/nalbandian-frederique-en\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Artistes de la galerie\",\"item\":\"https:\\\/\\\/eva-vautier.com\\\/produit\\\/artistes-de-la-galerie\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Fr\u00e9d\u00e9rique Nalbandian\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/\",\"name\":\"Galerie Eva Vautier\",\"description\":\"Galerie d&#039;art contemporain\",\"publisher\":{\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/#organization\",\"name\":\"Galerie Eva Vautier\",\"url\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"http:\\\/\\\/eva-vautier.com\\\/wp-content\\\/uploads\\\/2018\\\/09\\\/logo-galerie-illustrator-04-1.png\",\"contentUrl\":\"http:\\\/\\\/eva-vautier.com\\\/wp-content\\\/uploads\\\/2018\\\/09\\\/logo-galerie-illustrator-04-1.png\",\"width\":200,\"height\":24,\"caption\":\"Galerie Eva Vautier\"},\"image\":{\"@id\":\"https:\\\/\\\/eva-vautier.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/evavautier\\\/\",\"https:\\\/\\\/x.com\\\/EvaVautier\",\"https:\\\/\\\/www.instagram.com\\\/galerieevavautier\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Nalbandian Fr\u00e9d\u00e9rique Archives ~ Galerie Eva Vautier","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/eva-vautier.com\/en\/produit\/artists\/nalbandian-frederique-en\/","og_locale":"en_US","og_type":"article","og_title":"Nalbandian Fr\u00e9d\u00e9rique Archives ~ Galerie Eva Vautier","og_description":"Fr\u00e9d\u00e9rique Nalbandian is a graduate of the \u00c9cole Pilote Internationale d\u2019Arts et de Recherches, Villa Arson, Nice. Since these years spent experimenting with forms in the making, she has been refining her science of materials and her interest in the vast and troubling question of the flow of time. Soap still occupies a predominant place in her work as a sculptor, but also plaster and glass. On occasion, these substances are loaded with water, air, carmine red pigment and coal powder, become impregnated and even bruised. Chemical exchanges thus take place in installations that follow the laws of fallow landscapes or interact with architectural spaces full of meaning. In these works, from which emerge as many balanced volumes as \u201cintranquilous\u201d structures, the artist uses motifs such as the circle and the column. In other works that say something about man\u2019s relationship with the world, it is a question of the ear and understanding, of hands in prayer and near silence. Here, receptacles with their large surfaces of vibration, there, concretions made of folds and meanders like those of the brain for example. Undeniably, these works, because of their repetitive force and their power to integrate linguistic signs \u2013 one must listen to the titles the artist attributes to his works -, impose the idea of a quest that is haunted by the poetic and haunted by what makes it a prodigy: the blossoming of meaning, its possible dehiscence, without recourse to argumentation or the slightest dialectical system. Finally, it must be said that Fr\u00e9d\u00e9rique Nalbandian executes a number of drawings in which a weaving between references to the history of art and imprecise anatomy emerges with varying degrees of sharpness on the paper. A partition, one could say, between what would be the desire to describe the whirling of the sky and the desire to put man back at the center of the system \u2026 Text by Ondine Br\u00e9aud-Holland (excerpts from the artists\u2019 dictionary)","og_url":"https:\/\/eva-vautier.com\/en\/produit\/artists\/nalbandian-frederique-en\/","og_site_name":"Galerie Eva Vautier","twitter_card":"summary_large_image","twitter_site":"@EvaVautier","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"CollectionPage","@id":"https:\/\/eva-vautier.com\/en\/produit\/artists\/nalbandian-frederique-en\/","url":"https:\/\/eva-vautier.com\/en\/produit\/artists\/nalbandian-frederique-en\/","name":"Nalbandian Fr\u00e9d\u00e9rique Archives ~ Galerie Eva Vautier","isPartOf":{"@id":"https:\/\/eva-vautier.com\/en\/#website"},"breadcrumb":{"@id":"https:\/\/eva-vautier.com\/en\/produit\/artists\/nalbandian-frederique-en\/#breadcrumb"},"inLanguage":"en-US"},{"@type":"BreadcrumbList","@id":"https:\/\/eva-vautier.com\/en\/produit\/artists\/nalbandian-frederique-en\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Artistes de la galerie","item":"https:\/\/eva-vautier.com\/produit\/artistes-de-la-galerie\/"},{"@type":"ListItem","position":2,"name":"Fr\u00e9d\u00e9rique Nalbandian"}]},{"@type":"WebSite","@id":"https:\/\/eva-vautier.com\/en\/#website","url":"https:\/\/eva-vautier.com\/en\/","name":"Galerie Eva Vautier","description":"Galerie d&#039;art contemporain","publisher":{"@id":"https:\/\/eva-vautier.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/eva-vautier.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/eva-vautier.com\/en\/#organization","name":"Galerie Eva Vautier","url":"https:\/\/eva-vautier.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/eva-vautier.com\/en\/#\/schema\/logo\/image\/","url":"http:\/\/eva-vautier.com\/wp-content\/uploads\/2018\/09\/logo-galerie-illustrator-04-1.png","contentUrl":"http:\/\/eva-vautier.com\/wp-content\/uploads\/2018\/09\/logo-galerie-illustrator-04-1.png","width":200,"height":24,"caption":"Galerie Eva Vautier"},"image":{"@id":"https:\/\/eva-vautier.com\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/evavautier\/","https:\/\/x.com\/EvaVautier","https:\/\/www.instagram.com\/galerieevavautier\/"]}]}},"_links":{"self":[{"href":"https:\/\/eva-vautier.com\/en\/wp-json\/wp\/v2\/product_cat\/1041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eva-vautier.com\/en\/wp-json\/wp\/v2\/product_cat"}],"about":[{"href":"https:\/\/eva-vautier.com\/en\/wp-json\/wp\/v2\/taxonomies\/product_cat"}],"up":[{"embeddable":true,"href":"https:\/\/eva-vautier.com\/en\/wp-json\/wp\/v2\/product_cat\/989"}],"wp:post_type":[{"href":"https:\/\/eva-vautier.com\/en\/wp-json\/wp\/v2\/product?product_cat=1041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}