{"id":27114,"date":"2017-06-18T13:48:11","date_gmt":"2017-06-18T12:48:11","guid":{"rendered":"http:\/\/eva-vautier.com\/?p=27114"},"modified":"2017-06-18T13:48:11","modified_gmt":"2017-06-18T12:48:11","slug":"27114-2","status":"publish","type":"post","link":"https:\/\/eva-vautier.com\/en\/27114-2\/","title":{"rendered":""},"content":{"rendered":"\n\n\n
si l’email ne s’affiche pas correctement cliquez-ici<\/a><\/span><\/span><\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n

\n\"eva<\/a><\/p>\n

<\/span><\/p>\n

\"gregory<\/a>
\n
\n<\/span><\/th>\n<\/tr>\n

\nLa galerie Eva Vautier<\/b>\u00a0a le plaisir de vous convier<\/p>\n

\u00e0 une rencontre-d\u00e9dicace<\/b><\/p>\n

avec<\/p>\n

GREGORY FORSTNER<\/b><\/p>\n

pour la publication de sa monographie.<\/p>\n

vendredi 16 juin 2017<\/b><\/p>\n


\n<\/b>\u00e0 18h00\u00a0<\/b><\/p>\n

\u00c0 cette occasion, une s\u00e9lection d’\u0153uvres de l\u2019artiste sera pr\u00e9sent\u00e9e<\/p>\n

En savoir plus sur l’artiste<\/a><\/p>\n\n\n\n
\"gregory<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00c0 travers 224 pages pr\u00e9sentant des documents in\u00e9dits, un texte introducteur de Gilles Fuchs, un essai d’Henry-Claude Cousseau et un entretien entre Caroline Hancock et Gregory Forstner, cette monographie parcourt plus de quinze ann\u00e9es de travail de l’artiste entre la France, l’Allemagne et les \u00c9tats-Unis.<\/b><\/p>\n

\u00ab\u00a0Il y a dans le travail de Forstner une dimension autobiographique \u00e9vidente et sur laquelle il nous invite d’ailleurs \u00e0 nous pencher. Et il se peut bien que la peinture ait \u00e9t\u00e9 finalement pour lui le meilleur moyen de faire un sort \u00e0 la tournure romanesque de sa vie, de la consid\u00e9rer non comme une aventure de plus mais comme une occasion opportune d’en expliciter, d’en commenter pour lui-m\u00eame, la singularit\u00e9.\u00a0\u00bb<\/p>\n

Extrait du texte d’Henry-Claude Cousseau<\/p>\n

\u00ab\u00a0Vos sujets sont abord\u00e9s sous forme de fables, de parodies, de paraboles, de mythes personnels ; en filigrane, se dressent Jean de La Fontaine, William Hogarth, Art Spiegelman, J\u00f6rg Immendorff. Toujours pr\u00e9sente \u00e0 partir d’arch\u00e9types et de st\u00e9r\u00e9otypes,<\/p>\n

la culture populaire se m\u00eale de telle fa\u00e7on \u00e0 la\u00a0”\u00a0grande peinture\u00a0”\u00a0et \u00e0 l’histoire que vous parvenez \u00e0 en faire une question intime. Impossible de ne pas faire le lien avec la contemporan\u00e9it\u00e9 des r\u00e9alit\u00e9s sociales, politiques et culturelles de nos soci\u00e9t\u00e9s.\u00a0\u00bb<\/p>\n

Extrait du texte de Gilles Fuchs<\/p>\n

\u00ab\u00a0Spiegelman induit ainsi une empathie coupable du lecteur. Dans mon travail, cette empathie s’est cristallis\u00e9e sur le chien. L’avantage du masque-chien, c’est qu’il offre une panoplie infinie de races, de gueules, et donc de possibilit\u00e9s d’identification et, comme le dit si justement Spiegelman, de coincer le spectateur avec sa propre humanit\u00e9 corrompue et d\u00e9fectueuse.\u00a0\u00bb<\/p>\n

Extrait de l’entretien entre Gregory Forstner et Caroline Hancock<\/p>\n

En partenariat avec la\u00a0galerie Mathias Coullaud<\/b>, Les\u00a0\u00c9dition<\/b>s Dilecta<\/b>, la\u00a0galer<\/b>ie Zink\u00a0<\/b>&\u00a0Christophe Langlitz Art<\/b><\/p>\n

\"paris<\/a>\u00a0 \u00a0 \u00a0\"la<\/a>\u00a0 \u00a0 \u00a0\u00a0\"botoxs\"<\/a>\u00a0\u00a0\"commint\u00e9<\/a><\/p>\n

_____________________________________________________<\/span><\/p>\n

\"twitter\"<\/a>\u00a0 \u00a0 \u00a0\"google+\"<\/a>\u00a0 \u00a0\"fb\"<\/a>\u00a0 \u00a0\"instagram\"<\/a><\/span><\/p>\n

\n

Galerie Eva vautier
\n<\/span><\/p>\n

2 rue vernier
\n06000 Nice
\nFrance\u00a0<\/span>
\n<\/span><\/span><\/p>\n

\"google<\/a>
\n<\/span><\/span><\/span><\/p>\n

Du mardi au samedi de 14h \u00e0 19h<\/span><\/span><\/span><\/p>\n

\u00a0<\/span>et sur rendez-vous<\/span><\/span><\/span><\/p>\n

contact:\u00a0galerie@eva-vautier.com<\/a><\/span><\/span><\/span><\/p>\n

tel: 09.80.84.96.73<\/span><\/span><\/span><\/p>\n

http:\/\/eva-vautier.com<\/a>
\n<\/span><\/span><\/p>\n

inscription newsletter<\/a>\/d\u00e9sinscritption<\/a><\/span><\/span><\/p>\n

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<\/p>\n

<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

[\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-27114","post","type-post","status-publish","format-standard","hentry","category-non-classifiee"],"yoast_head":"\n~ Galerie Eva Vautier<\/title>\n<meta name=\"description\" content=\"Dans un bel espace d\u00e9di\u00e9 \u00e0 l\u2019art au c\u0153ur du quartier Lib\u00e9ration, Eva Vautier, offre un nouveau regard sur l\u2019art contemporain et ses pratiques artistiques (sculpture, photographie, peinture, dessin, vid\u00e9o). La galerie accueille de jeunes artistes \u00e9mergents comme des artistes issus de courants artistiques majeurs. Des performances et des d\u00e9bats rythment r\u00e9guli\u00e8rement les grandes expositions de l\u2019ann\u00e9e. La galerie propose \u00e9galement une s\u00e9lection de s\u00e9rigraphies et d\u2019\u00e9ditions limit\u00e9es en lien avec son actualit\u00e9 artistique et culturelle. Et pour les passionn\u00e9s l\u2019arthoth\u00e8que de la galerie offre un large choix des s\u00e9rigraphies \u00e0 la location. % % %\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eva-vautier.com\/en\/27114-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"~ Galerie Eva Vautier\" \/>\n<meta property=\"og:description\" content=\"Dans un bel espace d\u00e9di\u00e9 \u00e0 l\u2019art au c\u0153ur du quartier Lib\u00e9ration, Eva Vautier, offre un nouveau regard sur l\u2019art contemporain et ses pratiques artistiques (sculpture, photographie, peinture, dessin, vid\u00e9o). 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