{"id":25629,"date":"2016-06-03T09:13:32","date_gmt":"2016-06-03T08:13:32","guid":{"rendered":"http:\/\/eva-vautier.com\/?p=25629"},"modified":"2016-06-03T09:13:32","modified_gmt":"2016-06-03T08:13:32","slug":"le-mouvement-supports-surfaces","status":"publish","type":"post","link":"https:\/\/eva-vautier.com\/en\/le-mouvement-supports-surfaces\/","title":{"rendered":"Le mouvement Supports \/ Surfaces"},"content":{"rendered":"
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\u00ab Sa v\u00e9ritable richesse r\u00e9side dans la pratique des artistes tout \u00e0 la fois rigoureuse et l\u00e9g\u00e8re, travers\u00e9e par les graves pr\u00e9occupations d’une \u00e9poque toute enti\u00e8re fascin\u00e9e par les perspectives de changement et, de mani\u00e8re concomitante, par le caract\u00e8re \u00e9ph\u00e9m\u00e8re de toute chose.\u00a0<\/em>La grande libert\u00e9 avec laquelle chacun des participants entreprend de traiter l’espace du tableau ou le volume de la sculpture, se retrouve dans la mani\u00e8re qu’il a de traiter l’espace d\u2019exposition.<\/em><\/p>\n

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(…) L’espace occup\u00e9 par l’\u0153uvre ne se referme plus sur elle pour la maintenir comme objet, sp\u00e9cifique et surd\u00e9termin\u00e9, mais au contraire se dilate autour d’elle, englobant aussi bien les \u0153uvres d’autres artistes pr\u00e9sent\u00e9es \u00e0 proximit\u00e9, voire d’autres objets environnants, avec pour cons\u00e9quence de r\u00e9duire de mani\u00e8re significative l’aura de chacune d\u2019elles. Les notions d’espace et de temps sont particuli\u00e8rement importantes dans la production des artistes du mouvement en ce que leur acception habituellement retenue dans le champ artistique conna\u00eet un notable changement et am\u00e8ne \u00e0 une lecture n\u00e9cessairement diff\u00e9rente de l’\u0153uvre, ce qui, \u00e0 n’en pas douter, constitue l’apport essentiel du groupe. \u00bb<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Maurice Fr\u00e9churet,\u00a0Les ann\u00e9es 70\u00a0: l\u2019art en cause,\u00a0<\/em><\/h6>\n
Exposition du 18 octobre 2002 au 19 janvier 2003 ,<\/h6>\n
capc Mus\u00e9e d\u2019art contemporain de Bordeaux \u2013 Editions RMN, Paris<\/h6>\n

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\"Dolla\"<\/a><\/p>\n

No\u00ebl Dolla, \u00ab Sans titre \u00bb, 1974,\u00a0<\/em>Huile sur toile libre,\u00a0<\/em>240 X 142 cm<\/em><\/p>\n

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BEN SUR SUPPORTS \/ SURFACES\u00a0<\/strong><\/p>\n

\"Texte<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

[\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-25629","post","type-post","status-publish","format-standard","hentry","category-non-classifiee"],"yoast_head":"\nLe mouvement Supports \/ Surfaces ~ Galerie Eva Vautier<\/title>\n<meta name=\"description\" content=\"Dans un bel espace d\u00e9di\u00e9 \u00e0 l\u2019art au c\u0153ur du quartier Lib\u00e9ration, Eva Vautier, offre un nouveau regard sur l\u2019art contemporain et ses pratiques artistiques (sculpture, photographie, peinture, dessin, vid\u00e9o). La galerie accueille de jeunes artistes \u00e9mergents comme des artistes issus de courants artistiques majeurs. Des performances et des d\u00e9bats rythment r\u00e9guli\u00e8rement les grandes expositions de l\u2019ann\u00e9e. 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