{"id":81459,"date":"2023-03-13T16:44:25","date_gmt":"2023-03-13T17:44:25","guid":{"rendered":"https:\/\/2023.eva-vautier.com\/portfolio-item\/david-ancelin\/"},"modified":"2023-04-12T07:54:35","modified_gmt":"2023-04-12T08:54:35","slug":"david-ancelin","status":"publish","type":"portfolio","link":"https:\/\/eva-vautier.com\/en\/portfolio-item\/david-ancelin\/","title":{"rendered":"David Ancelin"},"content":{"rendered":"

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\u00a0David Ancelin vit et travaille \u00e0 Paris, il enseigne la s\u00e9rigraphie \u00e0 l\u2019Institut sup\u00e9rieur des arts de Toulouse. Certains de ses travaux sont pr\u00e9sents dans la collection du Mamco \u00e0 Gen\u00e8ve et dans des collections priv\u00e9es. Il a notamment expos\u00e9 au Palais de Tokyo et \u00e0 la Monnaie de Paris. David est repr\u00e9sent\u00e9 par la galerie Eva Vautier \u00e0 Nice et par la Jiali gallery \u00e0 P\u00e9kin.<\/div>\n
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Son exposition personnelle \u00abO Sole Mio\u00bb<\/a> pr\u00e9sent\u00e9e \u00e0 la galerie Eva Vautier le 29 mars regroupera des travaux r\u00e9cents de s\u00e9rigraphie, sculpture, vid\u00e9o, peinture et dessin, jouant avec les volumes de l\u2019espace d\u2019exposition.<\/p>\n

En glanant \u00e7\u00e0 et l\u00e0 des objets au rebut ou oubli\u00e9s du circuit, David Ancelin entreprend une analyse des potentiels sculpturaux de leurs volumes. C\u2019est aussi pour leur imm\u00e9diatet\u00e9 d\u2019identification, leur sens commun sous-jacent, que ces formes sont s\u00e9lectionn\u00e9es. Les objets ainsi r\u00e9cup\u00e9r\u00e9s sont ensuite manipul\u00e9s et analys\u00e9s. Certains aspects, techniques, esth\u00e9tiques ou po\u00e9tiques, permettent de faire et d\u00e9faire des n\u0153uds de sens. C\u2019est l\u00e0 que s\u2019articule une m\u00e9canique lyrique entre les mat\u00e9riaux et ce qu\u2019ils sugg\u00e8rent.<\/p>\n

\u00c1 ces manipulations plastiques viennent se greffer des r\u00e9f\u00e9rents banals (maritimes, urbains) pr\u00e9textes \u00e0 une mise en espace. Les travaux, dans leur autonomie, jouent de leurs positions fragiles et instables. Ils se servent de ce postulat d\u2019\u00e9tat comme socle hasardeux et bancal afin de se maintenir entre les murs de l\u2019espace d\u2019exposition. Sculptures, s\u00e9rigraphies, dessins ou peintures se r\u00e9pondent par associations d\u2019id\u00e9es, correspondances esth\u00e9tiques, cr\u00e9ant des ponts plastiques entre plan\u00e9it\u00e9 et volume, unicit\u00e9 et multiple. Les bribes narratives se croisent et se r\u00e9pondent tissant ainsi les fils imaginaires d\u2019une toile abstraite insaisissable. Il y r\u00e9side un rapport irr\u00e9solu entre une interpr\u00e9tation formelle et sa traduction litt\u00e9rale. L\u2019 ensemble reste en suspens, d\u00e9fiant un \u00e9quilibre de la pesanteur et du discours.<\/p>\n

David Ancelin proposera \u00e9galement une s\u00e9lection de s\u00e9rigraphies d\u2019artistes de son projet collectif du \u00abMacumba night club \u00e9ditions\u00bb dont l\u2019accrochage sera d\u00e9cid\u00e9 jour apr\u00e8s jour par la galerie durant toute la dur\u00e9e de l\u2019exposition.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”S\u00c9LECTION D’OEUVRES” tab_id=”1410959083-2-833f7-6b51″][vc_column_text]<\/p>\n

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David Ancelin, S\u00e9rigraphie d\u2019une photographie du reflet du paysage dans une cuve en acier sur le march\u00e9 de l\u2019acier inoxydable au sud de P\u00e9kin S\u00e9rie Short Cuts, 2013, 57 x 77 cm, S\u00e9rigraphie sur bois laqu\u00e9, pi\u00e8ce unique<\/p><\/div>\n

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David Ancelin, Sans titre, (la barque), 2014, 150 x 100 cm, S\u00e9rigraphie sur plaque d\u2019acier inoxydable, polish<\/p><\/div>\n

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David Ancelin, “Deep blue”, 2013, Vid\u00e9o 3D en boucle, \u00e9cran plat 3D, socle<\/p><\/div>\n

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David Ancelin, “Bleu, Vert, Jaune, Orange, Rouge”, S\u00e9rie Electric City, 2013, 50 x 50 cm Acrylique sur toile, S\u00e9rie indivisible<\/p><\/div>\n

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\"David<\/a>

David Ancelin,”The Mountain”, S\u00e9rie CMYK , 2014, 100 x 70 cm, S\u00e9rigraphie sur verre recto verso, Pi\u00e8ce unique<\/p><\/div>\n

\"David<\/a>

David Ancelin, “Sans titre”, S\u00e9rie Marble sea, 2013, 100 x 70 cm , S\u00e9rigraphie gratt\u00e9e sur miroir , Pi\u00e8ce unique<\/p><\/div>\n

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[\/vc_column_text][\/vc_tab][vc_tab title=”BIOGRAPHIE” tab_id=”1410959496581-2-133f7-6b51″][vc_column_text css=”.vc_custom_1423823850924{margin-left: 50px !important;}”]<\/p>\n

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David ANCELIN<\/strong><\/p>\n

n\u00e9 en 1978, \u00e0 Rennes
\nVit et travaille \u00e0 Paris<\/p>\n

EXPOSITIONS<\/strong><\/p>\n

EXPOSITIONS INDIVIDUELLES<\/strong><\/p>\n

2014
\n\u2022 O Sole Mio, Galerie Eva Vautier, Nice
\n\u2022 Born Loser, invitation de Jagna Ciuchta, Glassbox, Paris<\/p>\n

2013
\n\u2022 Smog by night, Jiali Gallery, Beijing, China<\/p>\n

2010
\n\u2022 One way ticket, Standards, espace d’exposition, Rennes
\n\u2022 Nuances Tropicales, Galerie Olivier Robert, Paris
\n\u2022 Free Entrance, Galerie a. Nice<\/p>\n

2008
\n\u2022 Flipper, Monnaie de Paris, en collaboration avec le Palais de Tokyo et la Galerie Olivier Robert, Paris
\n\u2022 No duck, RDF Galerie, Nice
\n\u2022 Opening (ou les aventures de l’espace), Galerie Olivier Robert, Paris<\/p>\n

2007
\n\u2022 M, nouvelles du monde renvers\u00e9, Module I, Palais de Tokyo Paris<\/p>\n

2006
\n\u2022 Galerie de l’espace Diderot, Association Tripode, Nantes<\/p>\n

EXPOSITIONS COLLECTIVES<\/strong><\/p>\n

2015
\n\u2022 A une ann\u00e9e lumi\u00e8re, Galerie Eva Vautier, Nice<\/p>\n

2014
\n\u2022 Commissariat pour un arbre #5, invitation de Mathieu Mercier, Piac\u00e9 Le Radieux
\n\u2022 French Riviera, invitation de Documents d’artistes, In Extenso, Clermont Ferrand<\/p>\n

2013
\n\u2022 Push your art, Palais de Tokyo, Paris
\n\u2022 Saison 17, La Station, Lieu commun, Toulouse
\n\u2022 La petite collection de No\u00ebl et Loupio Dolla, Villa Arson, Nice
\n\u2022 Commissariat pour un arbre #4, invitation de Mathieu Mercier, Vitrine du Parlement, Bordeaux
\n\u2022 Premi\u00e8re fois, Point de fuite, Toulouse<\/p>\n

2012
\n\u2022 Commissariat pour un arbre #2, invitation de Mathieu Mercier, Club 7.5, Paris
\n\u2022 Commissariat pour un arbre #1, invitation de Mathieu Mercier, Village Royal, Paris<\/p>\n

2011
\n\u2022 L’art contemporain et la c\u00f4te d’azur, un territoire pour l’exp\u00e9rimentation 1951-2011, Mougins
\n\u2022 Urevei E Ruvei, Castello della Lucertola, Apricale, Italie
\n\u2022 100 dessins contre la guerre du Vietnam, Le Commissariat, Paris
\n\u2022 100 dessins contre la guerre du Vietnam, Komplot, Bruxelles<\/p>\n

2009
\n\u2022 Phase z\u00e9ro, invitation du CNES \/ Observatoire de l’espace, Galerie Serge Aboukrat, Paris
\n\u2022 Indisciplines, Le Dojo, Nice<\/p>\n

2008
\n\u2022 Show Off, Espace Pierre Cardin ,Galerie Olivier Robert, Paris
\n\u2022 La Station, Module 1, Palais de Tokyo, Paris
\n\u2022 Salon du dessin, Galerie Olivier Robert, Paris
\n\u2022 Still lovin’ you, Galerie de la Marine, Nice
\n\u2022 Que le nouveau \u00e9merge de l’ancien, A.C.M.C.M. Centre d’art contemporain, Perpignan
\n\u2022 45 mile Baci From Bubaque, Bubaque Lodge des Dauphins Archipel, Guin\u00e9e Bissao
\n\u2022 Maison du Livre, de l’Image et du Son Fran\u00e7ois Mitterrand, La Station, Villeurbanne
\n\u2022 La Station, Module I, Palais de Tokyo, Paris\u20282008
\n\u2022 Still lovin’ you, Galerie de la Marine, Nice
\n\u2022 45 mile Baci From Bubaque, invitation de No\u00ebl Dolla, Guin\u00e9e Bissao, Afrique
\n\u2022 Subito, Castello della Lucertola, La Station, Apricale, Italie
\n\u2022 Maison du Livre, de l’Image et du Son Fran\u00e7ois Mitterrand, La Station, Villeurbann<\/p>\n

2007
\n\u2022 IRL, La Station \/ Galerie-appartement Interface, Dijon<\/p>\n

2006
\n\u2022 De l’Art co\u00fbte que co\u00fbte, la Station \/ Galerie RLBQ, Marseille
\n\u2022 L’Egosyst\u00e8me, La Station \/ Confort Moderne, Poitiers<\/p>\n

2005
\n\u2022 Le Dojo,Nice
\n\u2022 G\u00e9n\u00e9ration 2005, Galerie de la Marine, Nice
\n\u2022 L’Ic\u00f4ne, Nice<\/p>\n

2004
\n\u2022 Wagram, Nice
\n\u2022 Wagram, Nice<\/p>\n

2003
\n\u2022 Lee Tau Cety 3 Central Armory Show, Centre d’Art Contemporain Villa Arson, Nice<\/p>\n

AUTRES PRODUCTIONS, AIDES, ACQUISITIONS<\/strong><\/p>\n

AIDES, PRIX, R\u00c9SIDENCES<\/strong><\/p>\n

2013
\n\u2022 Workshop Villa Arson, Nice
\n\u2022 Macumba Palace, commissariat avec Jacques Julien, Tobias Kaspar, Mathieu Mercier, Bruno Peinado, Marine Semeria, C\u00e9dric Teisseire et David de Tscharner, Institut sup\u00e9rieur des arts de Toulouse
\n\u2022 Finaliste Push your art, Palais de Tokyo, Paris<\/p>\n

2012
\n\u2022 R\u00e9sidence Cit\u00e9 Internationale des Arts, Paris
\n\u2022 Aide Individuelle \u00e0 la cr\u00e9ation DRAC PACA
\n\u2022 Commissariat d’expositions et productions d’\u00e9ditions en s\u00e9rigraphies<\/p>\n

2011
\n\u2022 Assistant biennale de Dublin, commissaires Jota Castro et Christian Viveros-Faun\u00e9, Irlande
\n\u2022 Assistant Eric Duyckaerts, Mac\/Val, Vitry s\/Seine
\n\u2022 Cr\u00e9ation d’un atelier de gravure, Nice
\n\u2022 Intervention Lyc\u00e9e Amiral de Grasse, FRAC PACA<\/p>\n

2010
\n\u2022 Cr\u00e9ation d’un espace d’exposition, Macumba night club, Nice
\n\u2022 Atelier UEAJ V\u00e9ran \u00ad Villa Arson Nice<\/p>\n

2009
\n\u2022 Art-0-Rama, Galerie Olivier Robert, Marseille
\n\u2022 Allocation de recherche en France ou \u00e0 l’\u00e9tranger Centre National des Arts Plastiques
\n\u2022 R\u00e9sidence-atelier, \u00abRencontres du 3\u00e8me type\u00bb, Confort Moderne, Poitiers
\n\u2022 R\u00e9sidence-atelier, \u00abIci et ailleurs\u00bb, Confort Moderne, Poitiers
\n\u2022 R\u00e9sidence-atelier, ,\u00abBon baisers de …\u00bb, Confort Moderne Poitiers
\n\u2022 Atelier UEAJ V\u00e9ran – Villa Arson Nice<\/p>\n

2008
\n\u2022 R\u00e9sidence Deivarte Deiva Marina Italie
\n\u2022 Atelier UEAJ V\u00e9ran – Villa Arson Nice<\/p>\n

2007
\n\u2022 Aide Individuelle \u00e0 la cr\u00e9ation Drac Paca<\/p>\n

2006
\n\u2022 (depuis 2006) Double Vision Editions, atelier de s\u00e9rigraphie et d’\u00e9ditions d’artistes (Axel Hubert, Eric Duyckaerts, Heimo Zobernig, No\u00ebl Dolla…)<\/p>\n

COLLECTIONS PUBLIQUES ET PRIV\u00c9ES<\/strong>
\n\u2022 Collection Mamco, Gen\u00e8ve<\/p>\n

\u2022 Pr\u00e9sence dans des collections priv\u00e9es<\/p>\n

BIBLIOGRAPHIE<\/strong><\/p>\n

CATALOGUES INDIVIDUELS<\/strong><\/p>\n

2013
\n\u2022 Smog by night, Jiali Gallery, Beijing, China<\/p>\n

2010
\n\u2022 One way ticket, Standards, espace d’exposition, Rennes
\n\u2022 Free Entrance, texte de Benjamin Bianciotto, Galerie a., \u00e9dition Ville de Nice, 2009<\/p>\n

2007
\n\u2022 M, nouvelles du monde renvers\u00e9, invitation de Anthony Huberman, Palais de Tokyo, Paris<\/p>\n

CATALOGUES COLLECTIFS<\/strong><\/p>\n

2011
\n\u2022 L’art contemporain et la c\u00f4te d’azur, un territoire pour l’exp\u00e9rimentation 1951-2011, Mougins<\/p>\n

2009
\n\u2022 Phase Z\u00e9ro, \u00e9dition Galerie Serge Aboukrat, Paris, 2009<\/p>\n

2008
\n\u2022 Still Lovin’ You, Galerie de la Marine, Nice
\n\u2022 Du Yodel \u00e0 la physique quantique…, Volume 1, Archibook, Palais de Tokyo, Paris<\/p>\n

2007
\n\u2022 \u00abM, nouvelles du monde renvers\u00e9\u00bb Module I, Palais de Tokyo, 2007
\n\u2022 L’\u00e9gosyst\u00e8me 10 ans de La Station au Confort Moderne, catalogue, texte par Guillaume Desanges, Confort Moderne \/ La Station, Poitier \/ Nice<\/p>\n

2005
\n\u2022 G\u00e9n\u00e9ration 2005, \u00e9dition Villa Arson, Nice<\/p>\n

2003
\n\u2022 Lee Tau Cety 3 Central Armory Show, \u00e9dition Villa Arson, Nice<\/p>\n

ARTICLES DE PRESSE, DE REVUES<\/strong><\/p>\n

2008
\n\u2022 Affiche s\u00e9rigraphi\u00e9e, Page blanche #1- une invitation \u00e0 David Ancelin pour Documentsd’artistes, in 02 n\u00b048, hivers 2008
\n\u2022 Diane Pigeau, in La strada n\u00b090, 2008
\n\u2022 Guillaume Mansart, in “04” n\u00b02, 2008<\/p>\n

2007
\n\u2022 in Palais, revue du Palais de Tokyo n\u00b02, 2007
\n\u2022 Claire Moul\u00e8ne, in Les Inrockuptibles n\u00b0 585, 2007
\n\u2022 G\u00e9rard Lefort, in Lib\u00e9ration n\u00b0 8027, 2007<\/p>\n

2006
\n\u2022 Frederic Emprou, in Revue 303 deuxi\u00e8me trimestre, 2006
\n\u2022 Christophe Cesbron in Pil, site internet<\/p>\n

CV<\/strong><\/p>\n

\u00c9COLES, FORMATIONS<\/strong><\/p>\n

2005
\n\u2022 DNSEP, Villa Arson, Nice<\/p>\n

PARTICIPATION \u00c0 DES COLLECTIFS, ASSOCIATIONS<\/strong><\/p>\n

2006 \u00e0 2009 Membre actif de la Station, espace d’expositions, Nice<\/p>\n

2006 Cr\u00e9ation d’un atelier de s\u00e9rigraphie, Nice (\u00e9ditions d’Eric Duyckaerts, Zora Mann, Vincent Ganivet, Axel Huber, Heimo Zobernig, Pierre Malphettes, Michel de Broin, No\u00ebl Dolla, Boris Chouvellon, Virginie Le Touze, Sandra D. Lecoq, Julien Bouillon, St\u00e9phane Steiner, Xavier Theunis…)<\/p>\n

AUTRES ACTIVIT\u00c9S PROFESSIONNELLES<\/strong><\/p>\n

2011 Assistant biennale de Dublin, commissaires Jota Castro et Christian Viveros-Faun\u00e9, Irlande
\n2011 Assistant Eric Duyckaerts, Mac\/Val, Vitry s\/Seine
\n2011 Cr\u00e9ation d’un atelier de gravure, Nice
\n2011 Intervention Lyc\u00e9e Amiral de Grasse, Frac Paca
\n2010 Cr\u00e9ation d’un espace d’exposition, Macumba night club, Nice
\n2010 Atelier UEAJ \/ DRAC \/ Villa Arson, Nice
\n2009 Art-0-Rama, Galerie Olivier Robert, Marseille
\n2007 Assistant Eric Duyckaerts, biennale de Venise, Italie
\n2007 Assistant Eric Duyckaerts, Galerie Emmanuel Perrotin, Paris
\n2006 Assistant exposition New York, New York, commissaire Germano Celant, Monaco
\n2006 Assistant Philippe Parreno, Galerie Air de Paris, Nice<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_tab][vc_tab title=”DOCUMENTATION EXTERNE” tab_id=”1410959544887-4-033f7-6b51″][vc_column_text]Site personnel :<\/strong><\/p>\n

http:\/\/davidancelin.free.fr<\/a><\/p>\n

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http:\/\/documentsdartistes.org\/artistes\/ancelin\/page1.html<\/a>[\/vc_column_text][\/vc_tab][vc_tab title=”EXPOSITION \u00c0 LA GALERIE” tab_id=”1411151051275-5-133f7-6b51″][vc_column_text]<\/p>\n

O sole mio<\/b><\/p>\n

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Exposition du 1er avril au 3 mai<\/p>\n

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\"AFFICHE\"<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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[\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"portfolio-types":[],"class_list":["post-81459","portfolio","type-portfolio","status-publish","hentry"],"yoast_head":"\nDavid Ancelin ~ Galerie Eva Vautier<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eva-vautier.com\/en\/portfolio-item\/david-ancelin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"David Ancelin ~ Galerie Eva Vautier\" \/>\n<meta property=\"og:description\" content=\"[\u2026]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/eva-vautier.com\/en\/portfolio-item\/david-ancelin\/\" \/>\n<meta property=\"og:site_name\" content=\"Galerie Eva Vautier\" \/>\n<meta property=\"article:publisher\" 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