{"id":81064,"date":"2023-03-13T16:44:27","date_gmt":"2023-03-13T17:44:27","guid":{"rendered":"https:\/\/2023.eva-vautier.com\/portfolio-item\/natacha-lesueur\/"},"modified":"2025-06-11T12:08:21","modified_gmt":"2025-06-11T13:08:21","slug":"natacha-lesueur","status":"publish","type":"portfolio","link":"https:\/\/eva-vautier.com\/en\/portfolio-item\/natacha-lesueur\/","title":{"rendered":"Natacha Lesueur"},"content":{"rendered":"

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\"natacha<\/a><\/div>\n

Natacha Lesueur<\/strong><\/p>\n

N,<\/span><\/p>\n

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Born in 1971 in Cannes, Natacha Lesueur studied at the Villa Arson in Nice. His first solo exhibition took place in 1996. She was awarded the Ricard prize in 2000 and was resident at the Villa Medici in Rome in 2002-2003. She has exhibited in many countries in Europe, USA, Korea and China. The Charlotte Moser Gallery in Geneva and the Clara Maria Selz Gallery in Dusseldorf represent her work. His works are present in the most prestigious public and private collections. A retrospective of his work was published by the MAMCO in Geneva in 2011. She lives and works in Paris.<\/p>\n

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Since 1993, Natacha Lesueur’s work has been essentially photographic. If photography ultimately determines her relationship to the image, she constructs her images like paintings. The photographic image comes to rest like a varnish on the compositions. Her artistic preoccupations are articulated around the body, appearance, pomp and the intimate relationship that flesh and food maintain. This body, subject of predilection was subjected in various series of images to various treatments which raise at the same time of the constraint, the setting in scene, and the mask (between ornament and camouflage). She produces series, which follow each other without looking alike, unfolding in an infinite variety where notions such as: the motif, the tour de force, the trompe l’oeil, the optical traps resonate between them and make unity even of the work. Half of his photographic production confronts the body with food (asps as bathing caps (97-98), a salmon skin as a hairnet, legs covered with pigskin (97-98), mouths whose teeth are seeds of all kinds (00), pieces assembled from food and hair (02-07), etc.).) In other images, women’s bodies are marked with pearl prints (94-96), vision tests (00-01), sleeping men’s faces are encrusted with feather marks (04), fingernails are carved (97-03), young girls with red varnished teeth burst out laughing (07-08). In the series realized between (2011-14), she explores the figure of the actress Carmen Miranda and opens to the moving image. She uses the body as a surface of inscription, a more or less regular support for the culinary preparations or prints that she deposits on it. Object of covetousness, the body is parcelled out, it is one, it is all bodies.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”BIOGRAPHY” tab_id=”1410959496581-2-133f7-6b51″][vc_column_text css=”.vc_custom_1655557663212{margin-right: 5% !important;margin-left: 5% !important;}”]<\/p>\n

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Natacha Lesueur<\/strong><\/p>\n

Born in 1971 in Cannes
\nLives and works in Paris<\/p>\n<\/div>\n<\/div>\n

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 <\/p>\n

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PERSONAL EXHIBITIONS<\/strong><\/p>\n

 <\/p>\n

2022<\/strong><\/p>\n

No more sticky hair (even in wet weather)<\/i>, Galerie Eva Vautier, Nice.<\/p>\n

 <\/p>\n

2021<\/strong><\/p>\n

Like a dancing dog<\/i>, Villa Medicis, Rome.<\/p>\n

 <\/p>\n

2019<\/strong><\/p>\n

Les Chevelures de Vanda<\/i>, Galerie 8+4, Paris.<\/p>\n

 <\/p>\n

2016<\/strong><\/p>\n

I’m a Clich\u00e9<\/i>, Espace Tactel, Valence (ES).<\/p>\n

Natacha Lesueur, at Colette Soardi, “Les Visiteurs du soir”, Nice.<\/p>\n

 <\/p>\n

2015<\/strong><\/p>\n

Under the Pamas Moon<\/i>, curator: Timoth\u00e9e Chaillou, L’Appartement, Paris.<\/p>\n

White quails, grey egrets, and black egrets<\/i>, Eva Vautier Gallery, Nice. Exotic Tragedy<\/i>, Municipal Gallery of the Navy, Nice.<\/p>\n

 <\/p>\n

2014<\/strong><\/p>\n

Ombres blanches<\/em>, curator: Maurice Frechuret, Mus\u00e9e national Marc Chagall, Nice, France. (cat)<\/p>\n

 <\/p>\n

2013<\/strong><\/p>\n

Outside a nut, curator<\/em>: Marie Canet, <\/em>Fondation Ricard, Paris, France<\/p>\n

Like Mirror<\/em>, with Brice Dellsperger, curator: Damien Sausset, Transpalette, Bourges, France.<\/p>\n

 <\/p>\n

2012<\/strong><\/p>\n

Ne me touche pas<\/em>, Frac Languedoc-Roussillon, curator : E.Latreille Montpellier, France.<\/p>\n

 <\/p>\n

2011<\/strong><\/p>\n

I was born, etc. <\/em>MAMCO, <\/em>curator: C. Bernard Geneva, Switzerland.<\/p>\n

Mirror exhibition, <\/em>Charlotte Moser Gallery, Geneva, Switzerland<\/p>\n

Zakouski,<\/em> Galerie de l’Arsenal, Metz, France<\/p>\n

 <\/p>\n

2010<\/strong><\/p>\n

Museum of Art and History and Chapel of the Blue Penitents, “Casanova Forever”, FRAC Languedoc Roussillon Narbonne, France. (cat).<\/em><\/p>\n

 <\/p>\n

2009<\/strong><\/p>\n

Galeries Lafayette showcase, curator: E.Lavigne, <\/em>Centre Pompidou, Paris, France.<\/p>\n

 <\/p>\n

2008<\/strong><\/p>\n

Tokyo-arts, Van Cleef & Arpels boutique, Tokyo, Japan.<\/p>\n

Degustarte with Diana Theocharidis, Polyforum Sequeiros, Mexico City, Mexico.<\/p>\n

Less is not enough<\/em>, CPPM, Nimes, France. (cat)<\/em><\/p>\n

 <\/p>\n

2007<\/strong><\/p>\n

Maison de la culture, curator: H. Besacier, Bourges, France.<\/p>\n

The woman I love seems to wear a mask some days, <\/em>Galerie Charlotte Moser, Geneva, Switzerland.<\/p>\n

I’m crazy about your strawberry mouth, <\/em> Maison de la photographie, Toulon, France. (cat)<\/em><\/p>\n

 <\/p>\n

2006<\/strong><\/p>\n

Installation in an urban environment, Gwangju, Korea.<\/p>\n

French Institute of Valencia, Spain.<\/p>\n

 <\/p>\n

2005<\/strong><\/p>\n

Gallery Clara Sels, D\u00fcsseldorf, Germany.<\/p>\n

Culinary arrangement<\/em>, incidental projects, Agentur, Amsterdams, Holland.<\/p>\n

Gallery Praz Delavallade, Paris, France.<\/p>\n

 <\/p>\n

2004 <\/strong><\/p>\n

Gallery Krinzinger, Vienna, Austria.<\/p>\n

Frac Poitou-Charentes, Angoul\u00eame, France.<\/p>\n

Uomo,<\/em> CAN, Neuch\u00e2tel, Switzerland.<\/p>\n

 <\/p>\n

2003<\/strong><\/p>\n

Charlotte Moser Gallery, Geneva, Switzerland.<\/p>\n

Sei, <\/em>Villa Medici, Rome, Italy.<\/em><\/p>\n

French Gallery, Rome, Italy.<\/p>\n

 <\/p>\n

2002<\/strong><\/p>\n

Gallery Praz Delavallade, Paris, France.<\/p>\n

Opticalifragilistic<\/em>, curators: T. Davila and R. Klein, Aldrich Museum of Contemporary Art, Ridgefield, USA.(cat)<\/em><\/p>\n

 <\/p>\n

2001<\/strong><\/p>\n

Prodige<\/em>, Centre Pompidou, Paris, France.<\/p>\n

Gallery Clara Sels, D\u00fcsseldorf, Germany.<\/p>\n

Il faut toujours plaire, <\/em>curator: C. Bernard, MAMCO, Geneva, Switzerland(cat)<\/em>.<\/p>\n

 <\/p>\n

2000<\/strong><\/p>\n

Soardi Gallery, Nice, France.<\/p>\n

Natacha Lesueur and Bruno Pelassy<\/em>, Le Hall, \u00c9cole des Beaux Arts de Lyon. France.<\/p>\n

Natacha Lesueur & Bruno Pelassy<\/em>, FIAC 2000, Galerie Krinzinger, Paris, France<\/p>\n

Gallery Praz Delavallade, Paris, France.<\/p>\n

 <\/p>\n

1999<\/strong><\/p>\n

Gallery Clara Sels, D\u00fcsseldorf, Germany.<\/p>\n

Gallery Krinzinger, Vienna, Austria.<\/p>\n

Former Jesuit College, curator: G. Jassaud, Reims, France.<\/p>\n

Museum f\u00fbr fotographie, Braunnschweig, Germany.<\/p>\n

 <\/p>\n

1998<\/strong><\/p>\n

Gallery Krinzinger, F\u00f4rderprogramm Art Cologne, Germany.<\/p>\n

Gallery Fotohof, Salzburg, Austria.<\/p>\n

Soardi Gallery, Nice, France.<\/p>\n

Gallery Fran\u00e7oise Knabe, Frankfurt, Germany.<\/p>\n

 <\/p>\n

1997<\/strong><\/p>\n

Galerie du triangle, curator: X. Boussiron, Bordeaux, France.<\/p>\n

Gallery M.D.J, curator: J.P.Huguet, Neuch\u00e2tel, Switzerland.<\/p>\n

 <\/p>\n

1996<\/strong><\/p>\n

Gallery \u00c9velyne Canus, La Colle sur Loup, France.<\/p>\n

Cypress Gallery, Villa Arson, Nice, France. (cat)<\/em><\/p>\n

Gallery Manu Timoneda, Aix en Provence, France.<\/p>\n

 <\/p>\n

 <\/p>\n

COLLECTIVE EXHIBITIONS (selection)<\/strong><\/p>\n<\/div>\n

 <\/p>\n

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2014<\/strong><\/p>\n

Laughter, <\/em>The drawer, Paris, France.<\/p>\n

Me + you in the <\/em>living room, <\/em>SongEun Art and Cultural Foundation, Seoul, Korea.<\/p>\n

Where does the future begin, <\/em>Galerie des ponchettes, MAMAC, Nice, France.<\/p>\n

Aesthetics of a disenchanted world, <\/em>Centre d’art contemporain, Meymac, France.<\/p>\n

Gender identity, <\/em>Galerie R\u00e9jane LOUIN , in Locquirec, France.<\/p>\n

Otherwise, chaos, <\/em>curator Timoth\u00e9e Chaillou , L’appartement, Paris, France.<\/p>\n

Grey Flags<\/em>, <\/strong>curated by Timoth\u00e9e Chaillou, Backslash gallery, Paris, France.<\/p>\n

The Feast of Art, <\/em>curator J.J Aillagon, Dinard, France. (cat)<\/p>\n

Gender identity, <\/em>Fran\u00e7oise Besson Gallery, Lyon, France.<\/p>\n

The wall, the Antoine de Galbert collection, <\/em>La maison rouge, Paris, France<\/p>\n

Picasso, Magritte, Warhol… an exhibition with multiple faces<\/em>, Centre de la Vielle Charit\u00e9, Marseille, France.<\/p>\n

 <\/p>\n

2013<\/strong><\/p>\n

This art that undertakes me\u22604,<\/em> curator: Bernard Muntaner, UPE 13, Marseille, France<\/p>\n

Season 17,<\/em> curator: la Station, Lieu commun, Toulouse, France.<\/p>\n

The look behind<\/em>,<\/em> curator Christoph Kohl, M\u00e4rkisches Museum Witten, Germany.<\/p>\n

Polka palace, <\/em>Bastia museum, Bastia, Corsica, France<\/p>\n

Free admission but not required, No\u00ebl and Loupio Dolla collection. <\/em>Villa Arson, Nice, France.<\/p>\n

Archipels r\u00e9invent\u00e9s,<\/em> curator: E.Lavigne, Centre de la Vielle Charit\u00e9, Marseille, France.<\/p>\n

Sleep disorders V and VI,<\/em> curator B. L. Aman & M. Auburtin, Cit\u00e9 Int. des Arts, studio C3, Paris, France.<\/p>\n

Ulysses, The Other Sea, <\/em>Museum of Art and History, Saint Brieuc, France.<\/p>\n

Volupt\u00e9, <\/em>Gallery of the galleries, Ast\u00e9rides, Marseille, France.<\/p>\n

Does it climb? <\/em>Charlotte Moser Gallery, Geneva, Switzerland<\/p>\n

 <\/p>\n

2012<\/strong><\/p>\n

Chaos and imbalance, <\/em>Chalabi Art Gallery, curated by Ali Akay, Istanbul, Turkey<\/p>\n

Questions d’images (visages de sable),<\/em> Carr\u00e9 d’Art – Mus\u00e9e d’art contemporain de N\u00eemes, Nimes, France<\/p>\n

Face and Portrait ,<\/em> Charlotte Moser Gallery, Geneva, Switzerland<\/p>\n

Peau d’\u00e2me<\/em>, Next Level Gallery, Paris, France.<\/p>\n

Ladies and Gentlemen<\/em>, at 8 rue Saint-bon, Mamco editions, Paris, France<\/p>\n

Love of Risk<\/em>, Museum of Contemporary Art, Zagreb, Croatia.<\/p>\n

Question of taste<\/em>, Exhibition hall, Guyancourt, France.<\/p>\n

Gender identity, <\/em>Galerie Marie Jos\u00e9 Degrelle, Reims, France.<\/p>\n

 <\/p>\n

2011<\/strong><\/p>\n

COLUMNA 01<\/em>, <\/em>Mus\u00e9e St Pierre, curator: la Station, Vienne, France.<\/p>\n

My Paris – Collection Antoine de Galbert <\/em>, Me Collectors Room, Berlin, Germany.<\/p>\n

Gender Identity, <\/em>Centre d’art Contemporain \/ Passages, Troyes, France.<\/p>\n

Le Beau est toujours bizarre, <\/em>FRAC Haute Normandie, Trafic, Sotteville-les-rouen, curator P Piguet, France.<\/p>\n

Woman object, woman subject, <\/em>Abbaye Saint Andr\u00e9, Centre d’art contemporain, Meymac, curator : C.Bissi\u00e8re and J P. Blanche, France.<\/p>\n

Filament,<\/em> Charlotte Moser Gallery, Geneva, Switzerland.<\/p>\n

Peau, <\/em>Claude Verdan Foundation, Lausanne, Switzerland.<\/p>\n

Attention \u00e0 la figure,<\/em>Contemporary art and the French Riviera, a territory for experimentation, <\/em>Ch\u00e2teau de Villeneuve, Vence, curator R. Durand, France. (cat)<\/em><\/p>\n

 <\/p>\n

2010<\/strong><\/p>\n

Neither master, nor servant<\/em>, <\/strong>Soardi Gallery, Nice, France.<\/p>\n

Clairs-obscur<\/em>, ch\u00e2teau mus\u00e9e grimaldi, biennale umam 2010, Haut de Cagnes, France.<\/p>\n

Political animal<\/em>, FRAC Poitou-Charentes, Linazay, France.<\/p>\n

Extracts from Printemps: La part des ombres<\/em>, <\/strong>Henri-Martin Museum, Cahors, France.<\/p>\n

Metissages, <\/em>H\u00f4tel h\u00e8bre de Saint-clement, Rochefort, curator Y. Sabourin, France.<\/p>\n

elles@centrepompidou<\/em>, Centre Pompidou, Paris, France. (cat)<\/em><\/p>\n

 <\/p>\n

2009<\/strong><\/p>\n

La Bagna Cauda<\/em>, <\/strong>Sandrine Mons Gallery, Le Loft, Nice, France.<\/p>\n

Pol\/A<\/em>, <\/strong>curator: label hypoth\u00e8se, Galerie Nivet-Carzon, Paris, France.<\/p>\n

Metissages, <\/em>Baron G\u00e9rard Museum, Bayeux, curator Y. Sabourin, France.<\/p>\n

Not necessary and yet indispensable<\/em>, <\/strong>contemporary art center of Meymac, France.<\/p>\n

Archipels r\u00e9invent\u00e9s,<\/em> curator: E.Lavigne, Centre Pompidou, Paris, France.<\/p>\n

Carte blanche \u00e0 la Station,<\/em> module1, palais de Tokyo, paris, France.<\/p>\n

elles@centrepompidou<\/em>, Centre Pompidou, Paris, France.<\/p>\n

Un voyage sentimental, <\/em>Maison de la culture Amiens, curator: H. Besacier, France. (cat)<\/em><\/p>\n

 <\/p>\n

2008<\/strong><\/p>\n

Pernod Ricard art world french contempory art, 10 years of Riacrd foundation prize, <\/em>contemporary art center Winzavod, Moscow, curator: C. Staebler, Russia.<\/p>\n

Chaud’biz, <\/em>Charlotte Moser Gallery, Geneva, Switzerland.<\/p>\n

The fabricated image, <\/em> Ho Chi Minh City Museum of Fine Arts, curator: P. Piguet, Vietnam (cat)<\/em><\/p>\n

Impertinence! <\/em>Maison de la culture Amiens, curator: H. Besacier, France.<\/p>\n

Subito, <\/em>curator: the Station, <\/em>Apricale, Italy.<\/p>\n

It gives you the shakes! <\/em>Vallon du Villaret, Bagnols-les-bains, France. (cat)<\/em><\/p>\n

And everything for the eaters! <\/em>Museum Pierre Andre Benoit and space of Rochebelle, Ales, France. (cat)<\/em><\/p>\n

Panurge says everything and hears nothing! <\/em>Ch\u00e2teau d’\u00d4, Montpellier, France. (cat)<\/em><\/p>\n

Trinch! <\/em>Ch\u00e2teau de Jau, Cases-de-pene, France. (cat)<\/em><\/p>\n

Metamorphosis, <\/em>Salomon Foundation, Abbey of Annecy-le-Vieux, France.<\/p>\n

Babylon Inside<\/em>, a project by Edouard Ropars, La Station, Nice, France.<\/p>\n

Metissages, Mus\u00e9e de <\/em>Bourgoin-Jallieu, curated by Y. Sabourin, France.<\/p>\n

Eclectic builders, <\/em>curator L.Gu\u00e9henneux, CRAC, S\u00e8tes, France.<\/p>\n

 <\/p>\n

2007<\/strong><\/p>\n

Interstices<\/em>, installation in urban environment, la chambre clair, Parc Borely, Marseille, France.<\/p>\n

M\u00e9tissages<\/em>, The Jim Thompson Art Center, Bangkok, Thailand. Commissioner Y. Sabourin<\/p>\n

Versailles off, <\/em>sleepless nights at the Palace of Versailles, curator L. Lebon, France.<\/p>\n

Quarantaine, <\/em>Norbert Pastor Gallery, Nice, France.<\/p>\n

Nice to meet you, <\/em>MAMAC, Nice, France. (cat)<\/em><\/p>\n

Billboards, <\/em>Jurmala, Latvia<\/p>\n

Facts in France, <\/em>National art gallery, Sofia, Bulgaria (cat)<\/em><\/p>\n

Sweet’art, <\/em>Parcours Saint Germain- caf\u00e9 de Flore, Paris, France<\/p>\n

The body as a spectacle, <\/em>Museum of Modern and Contemporary Art<\/p>\n

Dolac, Rijeka, Croatia<\/p>\n

 <\/p>\n

2006<\/strong><\/p>\n

Bon app\u00e9tit<\/em>, Galerie Lisi H\u00e4mmerle, Bregenz, Austria.<\/p>\n

Art in context, <\/em>exhibition in urban environment, la chambre clair, Marseilles, France.<\/p>\n

The egosystem<\/em>,10 years of the Station, modern comfort, Poitiers, France.<\/p>\n

Profiles 15 years of artistic creation in France<\/em>, curator P. Piguet, P\u00e9ra Museum, Istanbul,<\/p>\n

Benaki Museum, Athens.<\/p>\n

M\u00e9tissages<\/em>, Museum of Decorative Arts, French Institute, Prague, Czechoslovakia, curator Y. Sabourin<\/p>\n

Unlimited Bodies – Every sperm is sacred – every sperm is great<\/em>, Galerie Clara Maria Sels, Dusseldorf, Germany<\/p>\n

The strength of art<\/em>, Ricard Prize, Grand Palais, Paris.<\/p>\n

Channel<\/em>, Sheffield Contemporary Art Forum, Sheffield, England<\/p>\n

Sleeping, Dreaming… and other nights<\/em>, CAPC de Bordeaux, Bordeaux, France. (cat)<\/em><\/p>\n

 <\/p>\n

2005<\/strong><\/p>\n

Subdivision of picture rails<\/em>, Villa Arson, Nice. France.<\/p>\n

Summer exhibition, <\/em>Charlotte Moser Gallery, Geneva, Switzerland.<\/p>\n

Venus in Perigord,<\/em> curators: A. Avila and D. Le Sergent, Collegiate Church of Ribeyrac, France.<\/p>\n

Hand in hand,<\/em> Kunstverein Bad Salzdetfurth, Germany.<\/p>\n

Enchanted Chateau<\/em>, curator C. Bernard, Chateau d’Arenthon, Salomon Foundation, Alex, France.<\/p>\n

De lo Real y lo Ficticio. Arte contemporaneo de Francia, <\/em>Museo de arte Moderno de Mexico, Mexico.<\/p>\n

Post-Apostrof’, <\/em>curator: La Station, museo laboratorio d’arte contemporanea dell’Universit\u00e0, La Sapienza, Rome, Italy.<\/p>\n

Sleeping head to toe with a stranger, <\/em>curator: La Station,<\/em> La friche de la belle de mai, Marseille, France.<\/p>\n

 <\/p>\n

2004<\/strong><\/p>\n

Body Extensions<\/em>, <\/strong>Mudac, museum of design and contemporary applied arts, Lausanne, Switzerland.<\/p>\n

Hors d’oeuvre, <\/em>curator: M. Frechuret,<\/em> CAPC, Bordeaux, France. (cat)<\/em><\/p>\n

Support<\/em>, Neue Galerie Graz am Landesmuseum Joanneum, Graz<\/p>\n

Images that would not be of the semblance-the written photography, <\/em>curator: JM. Ribettes,<\/em> Passage de Retz, Paris, France.<\/p>\n

Pop culture, <\/em>curator: Agn\u00e8s de Gouvion Saint-Cyr, Gallery Sejul, Seoul, Korea\/Old Parliament House, Singapore\/Tadu Contemporary Art Gallery, Bangkok, Thailand.<\/p>\n

Fridge, curator:<\/em> L.H Dreyfus, Hong kong, China.<\/p>\n

Body bilder, <\/em>curator: C. Teisseire, Kunsthalle Palazzo, Liestal, Switzerland.<\/p>\n

 <\/p>\n

2003<\/strong><\/p>\n

Photo-sculptures(2) gestes poses attitudes, <\/em>Frac Limousin, Limoges, France.<\/p>\n

Art show, <\/em>Paris, Galerie Lafayette, France.<\/p>\n

The art of being in the world<\/em> in Melle, <\/em>Romanes, International Festival of Contemporary Art, Deux-S\u00e8vres, France.<\/p>\n

Fable de l’identit\u00e9, <\/em>curator: R. Durand, CNP, Paris, France.<\/p>\n

20 years of the Frac, Tr\u00e9sors Publics<\/em>, Entrep\u00f4ts SNCF, Arles, France.<\/p>\n

Moi je(ux), <\/em>Espace Peiresc, Toulon, France.<\/p>\n

The Making of the Real 1980-2000<\/em>, Maison Europ\u00e9enne de la Photographie, Hungarian House of Photography, Budapest, Hungary (cat)<\/em><\/p>\n

 <\/p>\n

2002<\/strong><\/p>\n

C’est pas Joli Joli, <\/em>Turin, French Cultural Institute, Italy.<\/p>\n

self\/in material consciousness<\/em>, Sandretto Foundation (guarone), Italy.<\/p>\n

Photobiennale 2002<\/em>, 4th International Month of Photography in Moscow, House of Photography, Moscow, Russia (cat)<\/em><\/p>\n

Crossed shoes, <\/em>Mudac, museum of design and contemporary applied arts, Lausanne, Switzerland.<\/p>\n

Crossed Collections,<\/em> CAPC, Bordeaux, France.<\/p>\n

Rapprochement between art and fashion<\/em>, Espace Ricard, Gal Papillon-Fiat, Paris, France<\/p>\n

The Armory Show 2002<\/em>, Praz Delavallade Gallery, New York, U.S.A.<\/p>\n

Less Ordinary, <\/em>curator: S. Kim, Artsonje Center, Seoul, Korea (cat)<\/em><\/p>\n

Voil\u00e0 la France, <\/em>curator: A.Busto, Experimental Center for Contemporary Arts, Carraglio, Italy.<\/p>\n

Passages, <\/em>Gallery il Prisma, Cuneo, Italy.<\/p>\n

Virtues are titles, sufferings are rights,<\/em> Frac Poitou-Charentes, Angoul\u00eame, France.<\/p>\n

Fridge, <\/em>curator: L. H. Dreyfus, <\/em>galerie Fra\u00eeche attitude, Paris, France. (cat)<\/em><\/p>\n

Closing party,<\/em> Palazzo delle Esposizioni, Rome, Italy.<\/p>\n

 <\/p>\n

2001<\/strong><\/p>\n

Le regard du photographe, Arthot\u00e8que<\/em>in Lyon, France.<\/p>\n

Heads or tails, <\/em>gallery Praz Delavallade, Paris, France.<\/p>\n

Human Factor<\/em>, Unlimited Gallery, Athens, Greece.<\/p>\n

L\u00e9ger diff\u00e9r\u00e9<\/em>, CRAC, S\u00e8te, France.<\/p>\n

M\u00e9tamorphoses<\/em>, Rural Cultural Space, Guillestre, France.<\/p>\n

Effervescence<\/em>, gallery G. -P. & N. Vallois, Paris, France.<\/p>\n

The Armory Show 2001<\/em>, Praz Delavallade Gallery, New York, U.S.A.<\/p>\n

Artist’s window, <\/em>curator: O. Saillard, <\/em>Le Bon March\u00e9, Paris, France.<\/p>\n

Virtual -Real, <\/em>Espace de l’Art Concret, Mouans Sartoux, France.<\/p>\n

Interference, <\/em>curator: M-J Jean, VOX, <\/em>Metro Berry-UQUAM, Montreal, Canada (cat)<\/em><\/p>\n

R\u00e9jouissez-vous, <\/em>with B. Pellassy, curator: S.Froux, Le Parvis, Tarbes, France.<\/p>\n

Ambiance magasin, <\/em>Contemporary Art Center of Meymac, France.<\/p>\n

Transposition, my generation, <\/em>curated by M. Nash, A. Pollazzon, 24 hours of video art, Atlantis Gallery, London, England.<\/p>\n

 <\/p>\n

2000<\/strong><\/p>\n

La Station, <\/em>curator: la Station, <\/em>E.L.A.C, Lausanne, Switzerland.<\/p>\n

Main basse, <\/em>curator : la Station, <\/em>M.A.M.A.C, Nice, France.(cat)<\/em><\/p>\n

Prodige, curator<\/em>: R. Fleck, <\/em>espace Paul Ricard, Paris, France.(cat)<\/em><\/p>\n

Cross female-metaphors of the female in the art of the 90s<\/em>, K\u00fcnstlerhaus Bethanien, Berlin, Germany.(cat)<\/em><\/p>\n

Garde-Robe, <\/em>Faux mouvement, Metz, France.<\/p>\n

Grand TOUR, <\/em>fotodifuzionne 2000, Palazzo Bricherasio, Turin, Italy.<\/em><\/p>\n

Bodies and attitudes, <\/em>curator: Caf\u00e9-Cr\u00e8me, former chapel of Rham, Luxemboug-cents, Luxemboug.(cat)<\/em><\/p>\n

The ladies of the coast, <\/em>curator: the Station, gallery C.art, Dornbirn, Austria.<\/p>\n

Juste au corps, <\/em>la Cri\u00e9e, Rennes, France<\/p>\n

Wounded Narcissus, <\/em>Passage de Retz, curator: J-M Ribettes, Paris, France.(cat)<\/em><\/p>\n

16\u00b0 Lifting, <\/em>C\/o Voulleminot, Paris, France.<\/p>\n

Uomini con baffi in Napoli, <\/em>Morra Foundation, Napoli, Italy<\/p>\n

Under the pure screen of the painting the memory jout its theater of shade, <\/em>Center of contemporary art of Meymac, France.<\/p>\n

Big Torino<\/em>, curator R. Fleck, Turin, Italy(cat)<\/em><\/p>\n

Landscape in the plate, <\/em>Nomade food lab evening, Fondation Cartier, Paris, France.<\/p>\n

In the center the artist, <\/em>center Pasquart, Bienne, Switzerland.<\/p>\n

\u00c0 table, <\/em>Villa du parc, Annemasse, France.<\/p>\n

 <\/p>\n

1999<\/strong><\/p>\n

Les coups, <\/em>Frac Bourgogne, Dijon, France.<\/p>\n

Christian Robert Tissot, Natacha Lesueur, <\/em>Galerie M.D.J, Neuch\u00e2tel, Switzerland.<\/p>\n

A girl like you, <\/em>Galerie Praz Dellavalade, Paris, France.<\/p>\n

Officina de Europa<\/em>, curator: R. Barrili, Imola, Italy.<\/em><\/p>\n

The anagrammatical body<\/em>, curator: Peter Weibel, kunsthaus M\u00fcrzzuschlag, Austria. (cat)<\/em><\/p>\n

The Century of the Body: Photography 1900-2000<\/em>, Culturgest, Lisbon, Portugal.<\/p>\n

Lascaux 2,<\/em> curators: J. Joy, P. Devautour, Villa Arson, Nice, France.<\/p>\n

Drive in<\/em>, curator la Station, parking lot of l’archet hospital 2, Nice, France.<\/p>\n

Desire,<\/em> Art Process, curator : E. Mezan, Paris, France<\/p>\n

Extra and Ordinary<\/em>, curator : C. Macel, Le printemps de Cahors, Cahors, France.(cat)<\/em><\/p>\n

Clin d’oeil<\/em>, curator: S. Schashl, Galerie Fotohof, Salzburg, Austria.<\/p>\n

Unheimlich<\/em>, curator: U. Stahel, Fotomuseum, Wintherthur, Switzerland(cat)<\/em><\/p>\n

Vanitas, ephemeral works<\/em>, French Cultural Institute of Rotterdam, The Netherlands.<\/p>\n

 <\/p>\n

1998<\/strong><\/p>\n

F for Photography<\/em>, curator: M. Ritter, Fri-Art, Friburg, Switzerland.<\/p>\n

Dolce Vista<\/em>, curator: the Station, La Salara, Bologna, Italy.<\/p>\n

Secret sounds<\/em>, curator: O. Reneau and C.Sarraeiva, CCC, Tours, France.<\/p>\n

Paul Ritter; In Site<\/em> kunstraum Kreuzlingen, Switzerland.<\/p>\n

Lifestyle<\/em>, Kunsthaus Bregenz, Austria.<\/p>\n

Photography as concept<\/em>, curator: R. Wiehager, Internationale Foto Triennale, Esslingen, Germany.<\/em><\/p>\n

EX- hibition# 4<\/em>, Galerie Xavier Laboulbenne, New York, U.S.A.<\/p>\n

Arcus 3<\/em>, curator: the Station, fr\u00fcher Philips\/Tekade, N\u00fbnberg, Germany (cat)<\/em><\/p>\n

And stock<\/em>, FRAC Bourgogne, Dijon, France.<\/p>\n

Ph\u00e4nomen des Fl\u00fcchtigen<\/em>, Kultur raum spitalskirche, Lienz, Austria. (cat)<\/em><\/p>\n

Happy New Year<\/em>, Galerie Air de Paris, Paris.<\/p>\n

 <\/p>\n

1997<\/strong><\/p>\n

fasten seatbelt<\/em>, Galerie Krinzinger, Vienna, Austria.<\/p>\n

Take off<\/em>, Galerie Krinzinger, Bregenz, Austria.<\/p>\n

From One Point To Another<\/em> curators N. Goudinoux, A. Huber, R. Fleck, Atelier Soardi, Nice.<\/p>\n

Des histoires en formes<\/em>, Le Magasin, CNAC de Grenoble, France. (cat<\/em><\/p>\n

Really Feminism and Art<\/em>, curator L. Cottingham, Le Magasin, CNAC de Grenoble, France. (cat)<\/em><\/p>\n

 <\/p>\n

1996<\/strong><\/p>\n

Pomme Z<\/em>, Artco Gallery, Ajaccio, France.<\/p>\n

The art of plastic<\/em>, curator R. Fleck, ensb-a, Paris, France.<\/p>\n

Absolutely Fabulous<\/em>, Sintitulo Gallery, Nice, France.<\/p>\n

118M2<\/em>, Galerie Manu Timoneda, Aix en Provence, France.<\/p>\n

Fr\u00fchwirth, Lesueur, Luche, Lulic, Ritter, Serralongue, Steiner, Stockburger<\/em>, cur: Axel Huber, Heiligenkreuzerhof, Vienna (cat<\/em>)<\/p>\n

\u00dcbungspalast<\/em>, at U.fuchs and L.Tirala, Innsbruck, Austria.<\/p>\n

49F90<\/em>, curators M. Matray and V. Justin, Galerie la caisse, Nice, France.<\/p>\n

The title is in the suitcase<\/em>, Galerie Sanguine, Paris, France.<\/p>\n

My own private riviera<\/em>, Sintitulo Gallery, Nice, France.<\/p>\n

 <\/p>\n

1995<\/strong><\/p>\n

Intervention, Club du Capitaine Pip, Espace Jules Verne, Br\u00e9tigny-sur-Orge, France.<\/p>\n

&,<\/em> Galerie Valentin, Paris, France.<\/p>\n

Nice by night III<\/em>, a nocturnal journey in several apartments of Nice.<\/p>\n

Spicy cuisine<\/em>, with B. Dellsperger, video projection, ELAC, Lyon, France.<\/p>\n

 <\/p>\n

1994<\/strong><\/p>\n

P.S.S.S<\/em>. …, curator N. Dolla, Galerie Evelyne Canus, La Colle-sur-Loup, France.<\/p>\n

Spicy cuisine<\/em>, Vid\u00e9ogrammes, vid\u00e9ochroniques, Marseille, France.<\/p>\n

Nice by night<\/em>. I and II<\/em> a nocturnal journey in several apartments in Nice.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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