[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]<\/p>\n
<\/p>\n
[\/vc_column_text][vc_column_text]<\/p>\n
[\/vc_column_text][vc_empty_space height=”100px”][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text][\/vc_column_text][vc_empty_space height=”70px”][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column width=”2\/3″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column width=”2\/3″][vc_empty_space height=”70px”][vc_column_text]<\/p>\n
Born in 1974 in Menton, lives and works in Nice, Graduate of the \u00c9cole Nationale Sup\u00e9rieure d’art Villa Arson, Nice<\/em><\/p>\n <\/p>\n<\/div>\n<\/div>\n<\/div>\n “Of course, when I first saw Gerald Panighi’s little vignettes invading an entire wall with a certain casualness, as if they were nothing more than banal Post-It notes, my gaze wandered over this dizzying atomization. There is much to see and read in Gerald’s work.<\/p>\n Immediately, but it’s certainly a bit silly, I told myself that he must have breathed a lot of Strange like many boys of his generation and maybe even fell in his childhood on traumatic issues of “Detective” in which the blows, in spite of the hyper-expressivity of the individuals drawn by Angelo Di Marco, don’t generate only onomatopoeias. At this distant time of his life, he may also have remained rather perplexed by Magritte’s “Ceci n’est pas une pipe”, such a seductive anti-tautology, after all… If the representation is not the real, the dissociation conjugated on the mode dear to the surrealists possesses a charm even more abstruse. Nothing is more enigmatically bewitching than this assumed dysfunction of the image.<\/p>\n It was appreciated in Magritte’s work as it was venerated in the 80’s, in the more trivial world of illustration in Glenn Baxter’s… The absurd is the occlusive answer to all the derisory speculations and it is precisely that which manages to be deliciously enjoyable without ever oozing the slightest pretentiousness in the creations of G\u00e9rald Panighi.<\/p>\n Mich\u00e8le Goarant, 2011<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/vc_column_text][vc_empty_space height=”30px”][vc_column_text]<\/p>\n Born in 1990 in Menton, lives and works in Menton, Graduate of the \u00c9cole Nationale Sup\u00e9rieure d’art Villa Arson, Nice<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n In her drawing journal “Quand je m’ennuie je dessine mon chien” (When I’m bored I draw my dog) Laurie Jacquetty uses her dog Patsy to tell anecdotes about everyday life. At the same time poetic, tender, funny and biting his stories are drawn with a simple fine and sensitive line in ink with some touches of watercolor.<\/p>\n His sculptures also denote an economy of means: they are made from a collection of poor materials, recovered objects, derisory and precarious. Evolving as she finds and combines, they are not thought of as a finished form but executed in a certain urgency with what spontaneously offers itself to her and with elementary gestures reminiscent of childhood. His assemblages of bricks and mortar take on the meaning of dwelling, of refuge and refer to the idea of catastrophe to come, even if they can lead to a smile by their sometimes fortuitous associations and their naive character.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/vc_column_text][vc_empty_space height=”70px”][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][qbutton target=”_self” font_weight=”” text=”Press kit” link=”http:\/\/eva-vautier.com\/wp-content\/uploads\/2020\/07\/DOSSIER-DE-PRESSE-Gerald-Laurie-2.pdf”][qbutton target=”_self” font_weight=”” text=”Press review” link=”http:\/\/eva-vautier.com\/wp-content\/uploads\/2020\/07\/Revue-de-presse-exposition-laurie-Gerald-Panighi-3.pdf”][vc_empty_space height=”70px”]Laurie Jacquetty<\/h3>\n
\n