{"id":80868,"date":"2023-03-13T16:45:36","date_gmt":"2023-03-13T17:45:36","guid":{"rendered":"https:\/\/2023.eva-vautier.com\/portfolio-item\/nicolas-daubanes\/"},"modified":"2023-03-19T20:04:23","modified_gmt":"2023-03-19T21:04:23","slug":"nicolas-daubanes","status":"publish","type":"portfolio","link":"https:\/\/eva-vautier.com\/en\/portfolio-item\/nicolas-daubanes\/","title":{"rendered":"Nicolas Daubanes"},"content":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_tabs style=”horizontal”][vc_tab title=”PRESENTATION” tab_id=”1410959083-1-0″][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner][vc_column_text]<\/p>\n

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\"\"<\/a><\/strong><\/p>\n

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Nicolas Daubanes<\/strong><\/p>\n

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“I invest essential questions: life, death, the human condition and the social forms that shape them. In my last works, the speed, the fragility, the porosity, the ghostly aspect of the images and the materials, transmit the pressure of the past to the crossing of what is going to happen.<\/p>\n

My work is long term. It draws a path, a trajectory that tends towards the search for freedom, for release from constraint. I try to experiment with intensity and rigor, I play with danger, mental, visual, physical, to reinforce the creative energy and transmit its strength. I am driven by my history, my own existential questions and by the choice of a permanent and subtle adequacy between form and content.<\/p>\n

For example: silicone, the same one that is usually used to restore heritage buildings, transposed, allows to create a new space that visually induces the disappearance of the original wall and suggests a possible escape (Membranes series). In this way, moult and skin are introduced into my subject. The iron filings, used in the drawings, refer to the bars of the prisons, but also to the files which allow the escape. This material, which is dangerous for the eye, is deposited by magnetization, while the slightest penny can make the drawing disappear. What appears is fragile, we must take care of it and know that everything is ephemeral. The concrete loaded with sugar, inspired by the vain gesture of the resistance fighters during the Second World War, corroborates the fleeting, temporary nature of the objects produced in my work. It is a question of seeing before the fall, before the ruin, the vital impulse.<\/p>\n

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Nicolas Daubanes makes drawings with iron filings.<\/p>\n

He considers this state of matter as the symbol of the traces of an escape: by filing the bars of the cell, we will leave the hands covered with filings. These drawings represent prisons, occupied or disused.
\nThe prisons that Nicolas Daubanes draws are all issued from the architectural project of the utilitarian philosopher: Jeremy Bentham, the panopticon. He focuses on some of the buildings that bear witness to this inspiration. All the views are taken from photographs that he made himself, the transition to black and white and the modeling with iron powder allows him to wear out these images without which the prison administration would not allow him.
\nAt times, the artist takes some special architectural prison cites such as stairwells of detention that were installed following the mutinies of the 70s and 80s, gates that complement doors failing in terms of security, surveillance station …<\/p>\n

Making these drawings is also an opportunity for Nicolas Daubanes to classify and document all the prisons in which he has worked or simply visited.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”BIOGRAPHY” tab_id=”1410959496581-2-1″][vc_column_text css=”.vc_custom_1647004841742{margin-right: 5% !important;margin-left: 5% !important;}”]Nicolas Daubanes<\/strong><\/p>\n

Born in 1983<\/p>\n

Lives and works in Perpignan<\/p>\n

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PERSONAL EXHIBITIONS<\/strong><\/p>\n

 <\/p>\n

2017<\/strong><\/p>\n

Les mains sales<\/em>, Maubert Gallery, Paris
\nLe batiman et a nous<\/em>, La Station, Nice<\/p>\n

 <\/p>\n

2016<\/strong><\/p>\n

… but that day may never come.<\/em>Gallery L’isba, Perpignan
\nThe life of dream<\/em>, Angle art contemporain, Saint Paul Trois Ch\u00e2teaux, Vitrine r\u00e9gionale d’art contemporain, Millau<\/p>\n

 <\/p>\n

2015<\/strong><\/p>\n

Go Canny,<\/em> Martagon Gallery, Malauc\u00e8ne<\/p>\n

 <\/p>\n

2014<\/strong><\/p>\n

MURS<\/em>, French Cultural Center of Freiburg, Freiburg
\nSABOTAGE<\/em>, LAKE, Sigean
\n[Fe]<\/em>Regional Museum of Contemporary Art of Languedoc Roussillon, S\u00e9rignan<\/p>\n

(Exhibition in the Museum’s Bookshop, with productions of the inmates of the penitentiary center of B\u00e9ziers)<\/p>\n

 <\/p>\n

2013<\/strong><\/p>\n

The day after the next day<\/em>, Maison Salvan, Lab\u00e8ge
\nLa Tuilerie<\/em>, License III Workshop, Perpignan<\/p>\n

 <\/p>\n

2012<\/strong><\/p>\n

TEMPS MORT<\/em>, Centre d’art le LAIT, Albi
\nFiat Lvx<\/em>, Question d’art, Biblioth\u00e8que universitaire de Perpignan<\/p>\n

 <\/p>\n

2009<\/strong><\/p>\n

Put me back on my bike<\/em>, Atelier Licence III, Perpignan<\/p>\n

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GROUP EXHIBITIONS<\/strong><\/p>\n

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2016<\/strong><\/p>\n

Showcase on art<\/em>, Lafayette Gallery, presented by the Maison Salvan, Toulouse, Parc de la Maison blanche, Marseille
\nCarried Visions<\/em>, MAC Arteum, Ch\u00e2teauneuf le Rouge
\nSi er on the hill<\/em>, Alba Castle, Alba la Romaine
\nThe meaning of punishment<\/em>, La terrasse, Nanterre 2015
\nIn Memory,<\/em> National Archives Museum, YIA ART FAIR hors les murs, Paris
\nAt the time of the drawing<\/em>, 3rd time, Ch\u00e2teau de Servi\u00e8re, Marseille
\nThe new guard<\/em>, photojournalism parenthesis, in resonance with the biennial of Lyon, Lithos contemporary art center, Saint Restitut
\nEnclosed, deformed<\/em>, artistic moments at Christian Aubert’s, Paris
\nGiven the black mountain<\/em>, Maison des m\u00e9moires, Carcassonne
\nDPS 2<\/em>, La Filature, Mulhouse
\nGlobal Snapshot<\/em>, La Panac\u00e9e, Montpellier
\nCon uence<\/em>: France, Art Center of Sarasota, Florida, USA
\nLa belle \u00e9chapp\u00e9e<\/em>, Higher Institute of Fine Arts, Besan\u00e7on<\/p>\n

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2014<\/strong><\/p>\n

Time out\/out of time, L\u00e9onardo Agosti Gallery, S\u00e8te
\nJourney within our current mythologies, Auz’arts, Auzeville
\nClass consciousness, Lieu Commun, Toulouse
\nLa belle \u00e9chapp\u00e9e, Contemporary Art Center of the Chateau des Adh\u00e9mar, Mont\u00e9limar
\nThe drawing and the object, Mac ARTEUM, Chateauneuf le Rouge
\nPaper works, L\u00e9onardo Agosti Gallery, S\u00e8te
\n1913-2014, Contemporary Art Center, Saint restitut
\n70 combats pour la libert\u00e9, 70 artistes, Le radar, espace d’art actuel, Bayeux -AVOIR 10 + 1, Centre d’art contempo- rain, Saint restitut
\nIMAGO, Jean Marc C\u00e9rino-Nicolas Daubanes, AL\/MA gallery, Montpellier
\nBEYOND, Maubert gallery, Paris
\nIngravid, Figueres, Spain<\/p>\n

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2013<\/strong><\/p>\n

IZI<\/em>, Frac Languedoc Roussillon, Montpellier
\nENTROPIA1: M\u00e9tapmorphose(s<\/em>), Walter Benjamin contemporary art center, Perpignan<\/p>\n

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2012<\/strong><\/p>\n

The passion of the Gurlys<\/em> (Supervues\/Hotel Burrhus), Galerie du tableau, Marseille
\nInterstice<\/em>, immersive spaces, Carbone 14, St Ravy municipal gallery, Montpellier
\n10 years 100% drawings<\/em>, AL\/MA gallery, Montpellier<\/p>\n

Mati\u00e8res Grises, M.I.N.<\/em> (Hors les murs, Lieu Commun, Les sens de l’art), Toulouse<\/p>\n

Silence is not oblivion<\/em>, Nicolas Daubanes – Pablo Garcia, Sit Down Gallery, Paris – A quoi r\u00eavent t-ils ?, Sit Down Gallery, Paris
\nMulhouse 012<\/em>, Biennale of young designers, Mulhouse<\/p>\n

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2011<\/strong><\/p>\n

Supervues,<\/em> 3 days at the hotel Burrhus, Vaison la romaine
\nIngravid (Showcase)<\/em>, Figueres, Spain
\nFestival APART, <\/em>Emerging artists center, St R\u00e9my de Provence
\nOnes from the Heart,<\/em> Coiuvent des minimes, Perpignan
\nVisible I and II,<\/em> open days of Aldebaran’s residential workshops, Castries
\nTraverse Video<\/em>,<\/strong> Centre culturel bellegarde, Toulouse<\/p>\n

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2010<\/strong><\/p>\n

Weather alert<\/em>, Mus\u00e9e R\u00e9gional d’Art Contemporain du Languedoc Roussillon, S\u00e9rignan – Nathalie Leroy Fi\u00e9v\u00e9 and Nicolas Daubanes, galerie AL\/MA, Montpellier
\nCasanova Forever<\/em>, Frac Languedoc Roussillon, Forteresse de Salses, Salses
\n+ si a nity 2010<\/em>, AFIAC, Fiac 2009
\n+ si a nity 2009,<\/em> le Hors, AFIAC, Fiac 2008
\nHow to make a body disappear,<\/em> Chapel of the penitents, Aniane<\/p>\n

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PERFORMANCES \/ VIDEO PROJECTIONS<\/strong><\/p>\n

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2017<\/strong><\/p>\n

Video evening<\/em>, Contemporary Art Center, Istres 2016<\/p>\n

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2016<\/strong><\/p>\n

Passage pas sage<\/em>, Paris
\nCosa Mangiare<\/em>, The kitchen art and design center, Negrepelisse<\/p>\n

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2013<\/strong><\/p>\n

Nuit blanche<\/em>, “les centers d’art font leur cinema”, Paris<\/p>\n

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2012<\/strong><\/p>\n

Video art evening 2<\/em>, Espace o25rjj, Loupian
\nCarte Blanche<\/em> to Nicolas Daubanes, Institut Jean Vigo, Perpignan
\nAu Tour,<\/em> Cinema Le R\u00e9gent and the St Jacques chapel, contemporary art center of St Gaudens<\/p>\n

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2011<\/strong><\/p>\n

St Gaudens<\/em>, Plateau de Beille, 168 km on the road of the Tour, Chapelle St Jacques, contemporary art center of St Gaudens<\/p>\n

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2010<\/strong><\/p>\n

Having the apprentice in the sun<\/em>, Performance Caf\u00e9, AFIAC, Fiac<\/p>\n

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FAIRS \/ EXHIBITIONS<\/strong><\/p>\n

 <\/p>\n

2017<\/strong><\/p>\n

Independent<\/em>, presented by the Maubert Gallery, Brussels<\/p>\n

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2016<\/strong><\/p>\n

YIA Art Fair,<\/em> presented by the Maubert Gallery, Carreau du Temple, Paris
\nDrawing Room 016<\/em>, presented by the AL\/MA gallery, La Panac\u00e9e, Montpellier
\nPareidolia<\/em>, international drawing exhibition, presented by the Maubert gallery, Servi\u00e8re castle, Marseille<\/p>\n

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2015<\/strong><\/p>\n

Contemporary Istanbul,<\/em> art fair, presented by Analix forever gallery, Istanbul<\/p>\n

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2013<\/strong><\/p>\n

Art on paper<\/em>, Drawing art fair, presented by AL\/MA gallery, Brussels -Drawing o , o de Drawing room 013, Li- cence III, Montpellier
\nDrawing Room 2013<\/em>, presented by the AL\/MA gallery, Carr\u00e9 St Anne, Montpellier<\/p>\n

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2012<\/strong><\/p>\n

Drawing Room 2012<\/em>, presented by the AL\/MA gallery, Carr\u00e9 St Anne, Montpellier
\nSalon-Video 5<\/em>, 10m2 gallery, Sarajevo, Bosnia<\/p>\n

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RESIDENCES<\/strong><\/p>\n

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2016<\/strong>
\nThe bbb,<\/em> Art at the hospital, Toulouse<\/p>\n

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2014\/2015<\/strong>
\nLa Cuisine<\/em>, at the Montauban prison, N\u00e8grepelisse<\/p>\n

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2014<\/strong>
\nLa Filature,<\/em> at the Mulhouse prison and the Ensisheim central prison, Mulhouse 2012\/2013
\nCAN XALANT<\/em>, Mataro, Spain<\/p>\n

 <\/p>\n

2011<\/strong><\/p>\n

Aldebaran<\/em>, Castries<\/p>\n

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2008<\/strong>
\nAFIAC<\/em>, in the penitentiary center for minors of Lavaur, Lavaur<\/p>\n

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ACQUISITIONS<\/strong><\/p>\n

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2016<\/strong>
\nSabotage 4<\/em>, Parc de la maison Blanche, Town Hall of the 9th and 10th, Marseille<\/p>\n

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2015<\/strong>
\nD\u00e9tenus Particuli\u00e8rement Surveill\u00e9s 2<\/em>, Conseil G\u00e9n\u00e9ral des Bouches du Rh\u00f4ne, “the new collectors in college”.<\/p>\n

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AWARDS\/PRIX<\/strong><\/p>\n

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2017<\/strong>
\nFirst prize winner Grand prix Occitanie, Lieu commun \/ Les sens de l’art, Toulouse<\/p>\n

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2016<\/strong>
\nNominated for the “Grand prix de l’art contemporain”, Les sens de l’art \/ Lieu commun, Toulouse<\/p>\n

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2014<\/strong>
\nIndividual aid for creation, Languedoc-Roussillon region<\/p>\n

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2012<\/strong>
\nIndividual aid for creation DRAC Languedoc-Roussillon
\nWinner of the prize of the French cultural center of the city of Freiburg during the European biennial of young creators of Mulhouse (Mulhouse 012)<\/p>\n

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BIBLIOGRAPHY<\/strong><\/p>\n

 <\/p>\n

The Chassis,<\/em> Issue 2, Spring\/Summer 2017
\nThe Dream Life<\/em>, personal monographic edition, 2016
\nCosa mangiare<\/em>, personal edition, 2016
\nCon uence<\/em>: France, exhibition catalog, 2015
\nPLI 4<\/em>, review, 2015
\nPLI 3<\/em>, review, 2015
\nLe Radar<\/em>, Espace d’art actuel, 70 combats pour la libert\u00e9\/70 artistes, Exhibition catalog, 2014
\nFireboox<\/em>, ed. VOICE, 2014
\nPEAH 21122014<\/em>, ed. Charlotte Sometimes, 2014
\nPrisons of Lyon<\/em>, A manifest history, ed. Places Said 2013
\nPLI<\/em>, magazine, 2013
\nPsychiatric Evolution<\/em>, review, October-December 2012
\nThe AL\/MA 2 talks<\/em>, ed. M\u00e9ridianes, Montpellier, 2012
\nMulhouse 012,<\/em> Exhibition catalog, European biennial of young creators, 2012
\nL’art proxime,<\/em> Catalogue of the Traverse video festival, 2011
\nRunning against the clock<\/em>, Week 49.10, Weekly review for contemporary art, ed. Analogues, 2011<\/p>\n

Casanova Forever<\/em>, Exhibition catalog, Frac Languedoc-Roussillon, 2010
\n+ si a nit\u00e9s, <\/em>Exhibition catalog, A ac \/ les Abattoirs, 2010<\/p>\n

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 <\/p>\n

PRESS<\/strong><\/p>\n

 <\/p>\n

ArchiSTORM, architecture and design, special issue #09, 2016 – ArchiSTORM, architecture and design, #69, 2014
\nArt views, February\/March, 2014
\nFlash, the monthly magazine, Toulouse Culture et Loisirs, June, 2013<\/p>\n

Parcours des Arts, the art magazine of the south west, number 34, 2013
\nNext Liberation, silence is not oblivion, October 2012
\nArthebdo M\u00e9dia, interview with Jackie Ruth Meyer, director of the LAIT art center, Albi
\nFlash, le mensuel, Toulouse Culture et Loisirs, January 2012 -Art Absolument n\u00b042
\n– Parcours des Arts, la revue d’art du sud ouest, issue 28 -Next Liberation, Festival Apart, summer 2011<\/p>\n

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TRAINING<\/strong><\/p>\n

 <\/p>\n

2012<\/strong>
\nDNSEP at master level, with congratulations of the jury, HEART Perpignan 2010 – DNSEP, with congratulations of the jury, HEART Perpignan<\/p>\n

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2008<\/strong>
\nDNAP, with congratulations of the jury, HEART Perpignan[\/vc_column_text][\/vc_tab][vc_tab title=”SELECTION OF WORKS” tab_id=”1410959083-2-8″][vc_column_text css=”.vc_custom_1626947617732{margin-top: 0px !important;margin-right: 5% !important;margin-bottom: 100px !important;margin-left: 5% !important;}”]<\/p>\n

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