{"id":80862,"date":"2023-03-13T16:44:26","date_gmt":"2023-03-13T17:44:26","guid":{"rendered":"https:\/\/2023.eva-vautier.com\/portfolio-item\/gregory-forstner\/"},"modified":"2023-08-25T20:37:27","modified_gmt":"2023-08-25T21:37:27","slug":"gregory-forstner","status":"publish","type":"portfolio","link":"https:\/\/eva-vautier.com\/en\/portfolio-item\/gregory-forstner\/","title":{"rendered":"Gregory Forstner"},"content":{"rendered":"

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\"gregorybandw\"<\/a><\/h4>\n

Gregory Forstner<\/strong><\/p>\n

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Gregory Forstner was born in Douala, Cameroon, to a French mother and an Austrian father. He interrupts his secondary studies and decides to study at the Academy of Applied Arts in Vienna, Austria, and then at the Villa Arson in Nice. He then worked in Nice for several years.
\nIn 2008, he received a grant from the French Ministry of Culture for a one-year residency in New York. He settled there with his family.<\/p>\n<\/div>\n<\/div>\n

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She was tall, she was blonde, she was the collector’s fianc\u00e9e. I give her nurturing hips (in addition to the buttocks, I like women’s hips), swimmer’s shoulders (I’m a swimmer), Naples yellow hair (I’m blond) and a colonial helmet from the African bush (I was born in Cameroon). You might as well paint the girls you like to fuck. Stereotypes have a stiff skin, their surface is gold-plated. The desirable girl is therefore blond, luscious, the breasts point hard, her lips are red and shiny. The smoke goes through my fingers. I paint with sugar.<\/p>\n

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I have a direct link with my childhood. I’m there when I want to be. When I think cloud, I imagine it to be blue. In painting the mountains are always blue. The child on the beach draws the blue cloud. The sky is blue too and the sea below is blue as well but deeper. In the middle it is “empty”, it is the white of the paper which does not ask for anything. It took me a long time to paint landscapes. I have no problem with the wind, the sea, the grass, the cows, all that. When they arrive in the painting, they are there to set a scene. The Fall of Icarus is a good example. The subject is underwater, only the ridiculous feet and the burning calves are visible in the lower right. In the meantime, each of the details of the landscape allows the dive.<\/p>\n

Art is compensatory. The painting does not try to say anything. It is a moment. You have to pinch yourself to believe it! No kidding, painting is nothing but pinching yourself to believe it. There is the history and the small history, but in truth, it is always a sensation that slips away to renew itself elsewhere and differently. We hide behind the images of others to appear larger. The rest is conversation. Others have to have fun, alone, we don’t exist. Here, the sky is blue like its clouds, and in the wind the Bride pulls The Collector. The object of the figure is its presence, its appearance is its effect. Don’t look elsewhere. The child begins by drawing what seems essential to him, the arms, the legs, the head, and he marvels. I grew up and I paint what I like: breasts, eyes, pool cues, assholes and hips, scuba divers and sometimes dogs – you always have to paint the things you want – or the things you hate.<\/p>\n

I prefer to paint pretty girls. It happens that the paint paints them ugly, but I paint them beautiful. The painting sometimes decides otherwise because around a girl, something always happens that we do not anticipate. In life, it’s the same. It is necessary that the chick complains a little so that the picture turns, she makes the moue, a grimace, and one cracks. By looking for the air of the hostess, one pierces the air of the painting in its bottom. By forcing the stereotypes, the naturalness explodes. By dint of making the gesture, it leaves by itself.<\/p>\n<\/div>\n<\/div>\n

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Gregory Forstner<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”BIOGRAPHY” tab_id=”1410959496581-2-133f7-6b51″][vc_column_text css=”.vc_custom_1655561795054{margin-right: 5% !important;margin-left: 5% !important;}”]<\/p>\n

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Gr\u00e9gory Forstner<\/strong><\/p>\n

Born in Douala, Cameroon<\/p>\n

Lives in New-York<\/p>\n

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PERSONAL EXHIBITIONS<\/strong><\/p>\n

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2021<\/strong><\/div>\n
The sun burning under closed eyelids, Suquet des artistes, Cannes Lollipop, Eva Vautier Gallery, NIce<\/div>\n
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Flowers for the bold, FRAC Occitanie, Montpellier<\/p>\n

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2020 <\/strong><\/p>\n

Four Legs good, Two Legs Better, Centre d’art de Cahors, Grenier du Chapitre 2019 Fondation Fernet-Branca, Saint-Louis, France<\/p>\n

Gallery Zink, Waldkirchen, Germany 2016 Pastorelle, Filsers, Mainburg, Germany<\/p>\n

Le D\u00e9jeuner sur l’herbe, Galerie Mathias Coullaud, Paris 2015 FIAC OFFICIELLE, Paris (Galerie Kromus & Galerie Zink)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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2014<\/strong><\/p>\n

Encore \/ Part 2<\/em>, Eva Hover Gallery, Paris, France<\/p>\n

Thorns of Eden,<\/em> Dubois Friedland Gallery<\/p>\n<\/div>\n

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2013<\/strong><\/p>\n

La belle peinture 2,<\/em> FRAC R\u00e9union, Phoenix des Halles, Port St Louis, Mauritius
\nFree admission but not compulsory\/No\u00ebl Dolla<\/em>, Villa Arson, Nice, France
\nPi\u00e8ces Montr\u00e9es<\/em> – Frac Alsace, 30 years of collection, FRAC Alsace, Fondation Fernet-Branca, Saint-Louis, France
\nFrom their Time 4:<\/em> Nantes, Crossed views of 100 collectors on young creation, Nantes, France<\/p>\n

Fuck Sandy!<\/em>Galerie Zink, Berlin, Germany<\/p>\n<\/div>\n<\/div>\n

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2012<\/strong><\/p>\n

Works on paper,<\/em> Otto Zoo, Milano, Italy<\/p>\n

Study for An American Archetype<\/em>, Messineo Art Projects \/ Wyman Contemporary, New York, USA<\/p>\n<\/div>\n<\/div>\n

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La Grande Bouffe or The Triumph of Bacchus<\/em>, Galerie Eva Hober, Paris, France<\/p>\n<\/div>\n<\/div>\n

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2011<\/strong><\/p>\n

Rain Dogs<\/em>, Galerie Zink, Berlin, Germany<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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2010<\/strong><\/p>\n

Looking For Icarus<\/em>, Galerie Zink, Munich, Germany Salon du dessin contemporain, Paris<\/p>\n<\/div>\n

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2009<\/strong><\/p>\n

The Ship of Fools<\/em>, Grenoble Museum, Grenoble, France<\/p>\n<\/div>\n

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2008<\/strong><\/p>\n

The Waiting Rooms<\/em>, Galerie Zink, Munich, Germany<\/p>\n

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2007<\/strong><\/p>\n

Easyover<\/em>, Galerie du MAMAC, Museum of Modern and Contemporary Art, Nice The Party, Galerie Michael Zink, Berlin, Germany<\/p>\n

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2006<\/strong><\/p>\n

Jocelyn Wolff Gallery<\/em>, Paris
\nGalerie de l’UQAM<\/em>, with G\u00e9rald Panighi, curator Louise D\u00e9ry, Montreal, Canada<\/p>\n

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2005<\/strong><\/p>\n

Pi\u00e8ce unique<\/em>, French Cultural Center, Turin, Italy<\/p>\n

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2004<\/strong><\/p>\n

Jocelyn Wolff Gallery<\/em>, Paris<\/p>\n<\/div>\n

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2003<\/strong><\/p>\n

Jocelyn Wolff Gallery<\/em>, Paris<\/p>\n

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GROUP EXHIBITIONS<\/strong><\/p>\n

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2022<\/strong><\/p>\n

A rose is a Petunia is a mimosa, Eva Vautier gallery<\/p>\n

POWER FLOWER, 109, (curated by Marie Maertens) David and Goliath, Zink Gallery<\/p>\n

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2021<\/strong><\/p>\n

Dr\u00f4le de bestiaire, Art Albert Bourgeois gallery, (curator Philippe Piguet)<\/p>\n

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2020 <\/strong><\/p>\n

Atelier Lachaert Dhanis, Art Curial, Munich with Galerie Zink Avec Plaisir (3), Galerie Eva Vautier, Nice
\n1 Meter of Distance, Eva Vautier Gallery, Nice<\/p>\n

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2019 <\/strong><\/p>\n

DRAWING NOW, Eva Vautier Gallery, Nice
\nWith Pleasure (2), Eva Vautier Gallery, Nice
\nLife is a Film – Ben and his guests, (curated by Ben Vautier), 109, Nice Galerie Zink Waldkirchen, Germany<\/p>\n

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2018 <\/strong><\/p>\n

Painting is an illusion, a piece of magic, so what you see is not what you see, Galerie Zink, Brussels<\/p>\n

Adele, Galerie Zink Waldkirchen, Germany<\/p>\n

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2016 <\/strong><\/p>\n

Kopf und Kragen, St\u00e4dtische Galerie, Backnang, Germany Animal Farm. Beastly Muses and Metaphors, S2 Gallery, London From head to toe, Collection Frac Normandie-Caen<\/p>\n

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2015 <\/strong><\/p>\n

From Picasso to Warhol, Grenoble Museum
\nMortal Suite and end, FRAC Basse-Normandie-Caen<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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2014<\/strong><\/p>\n

The Factory of Painting<\/em>. With: Jeff Koons, Anne Neukamp, Marc Molk, Damien Cadio, Jules de Balincourt, Eva Nielsen,
\nJake and Dinos Chapman, Hernan Bas, Ch\u00e9ri Samba, Thomas L\u00e9vy-Lasne, Ida Tursic and Wilfried Mille, Gregory Forstner, Glenn Brown, Am\u00e9lie Bertrand.
\nE-Motion, <\/em>Bernard Massini collection, Maeght Foundation, Saint-Paul de Vence, France<\/p>\n

Code Black. 30 years of shopping<\/em>FRAC Haute-Normandie, Rouen, France<\/p>\n<\/div>\n

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2012<\/strong><\/p>\n

Carte Blanche,<\/em> Lili-Ubel Gallery, Paris, France
\nLa Maladie de Flaubert,<\/em> Mus\u00e9e Flaubert et d’Histoire de la M\u00e9decine, Rouen, France Ventotto, Otto Zoo, Milano, Italy
\nWhat Only Paint Can Do<\/em>, curated by Karen Wilkin, Triangle Arts Association, New York, USA La belle peinture est derri\u00e8re nous, le lieu unique, Nantes, France
\nCollecting today…,<\/em> Philippe Piguet Collection, Contemporary Art Center of Saint Restitut, France
\nFigure Libre<\/em>, MAMAC Collections, Galerie des Ponchettes, Nice, France<\/p>\n

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2011<\/strong><\/p>\n

Nullportrait<\/em>, Galerie Zink, Berlin, Germany
\nLe Beau est toujours bizarre<\/em>, FRAC Haute Normandie, Sotteville-l\u00e8s-Rouen, France La belle peinture est derri\u00e8re nous, Cagdas Merkesi, Ankara, Turkey
\nDes Paysages des Figures<\/em>, Ch\u00e2teau de Saint-Ouen, France
\nDes limites de ma pens\u00e9e<\/em>, dubois friedland gallery, Brussels, Belgium<\/p>\n

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2010<\/strong><\/p>\n

The beautiful painting is behind us<\/em>, Sanat Limani, Istanbul, Turkey
\nLandscape and figures<\/em>, Dukan & Hourdequin, Marseilles, France
\nRecent Acquisitions<\/em>, Museum of Modern and Contemporary Art, Nice, France
\nAntrepo #5,<\/em> Istanbul
\nThe Elizabeth Foundation for the Arts, New York
\nDrawing on paper,<\/em> Galleri Se Konst, Falum, Sweden
\nLiaisons Dangereuses<\/em>, Thomas Rehbein Galerie, Cologne
\nHunting Trophy<\/em>, Parker’s Box, New York
\nSic Transit Gloria Mundi,<\/em> Galerie Eva Hober, Paris
\nCollection 3<\/em>, Foundation for Contemporary Art Claudine and Jean-Marc Salomon, Alex, France<\/p>\n

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2009<\/strong><\/p>\n

Le Bizarre, l \u0301\u00e9trange et l \u0301incongru<\/em>, S\u00e9lest’art Biennale, S\u00e9lestat Brussels Art Fair
\nNUN,<\/em> Galleria Otto Zoo, Milan, Italy<\/p>\n

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2008<\/strong><\/p>\n

Stultifera Navis: The Ship of Fools, Porta Sant’Agostino, Bergamo, Italy
\nFrom Brooklyn with love, Parker’s Box Gallery, Brooklyn, New York, USA Chicago Art Fair<\/p>\n

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2007<\/strong><\/p>\n

Art Basel Miami, Wolff Gallery, Paris
\nDialogues M\u00e9diterran\u00e9ens<\/em>, St Tropez, general curator Suzanne Van Hagen
\nMade in France<\/em>, National Art Gallery of Sofia\/National Museum of Fine Arts of Latvia, Riga Painting(s), Generation 70, Salomon Foundation
\nFrom their time II<\/em>, Grenoble Museum<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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2006<\/strong><\/div>\n
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Timesharing<\/em>, Jocelyn Wolff Gallery, Paris
\nVilla Holiday Warsaw<\/em>, Poland-Galerie Jocelyn Wolff, Paris
\nEverything is wrong<\/em>, Kunsthalle Palazzo, Liestal, Switzerland
\nOur vacation loves,<\/em> CIAC, Carros
\nPROFILES<\/em> 15 years of artistic creation in France, P\u00e9ra Museum, Istanbul, Turkey, Benaki Museum, Athens, Greece
\nJocelyn Wolff Gallery, Paris
\nTennewpaintings<\/em>, Parker’s Box, New York, USA<\/p>\n

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2005<\/strong><\/p>\n

Etats de Peinture<\/em>, curator Philippe Piguet, Maison des Arts, Malakoff
\nGallery S.E, Bergen, Norway
\nLa R\u00e9serve<\/em>, with Julien Bouillon, Marc Chevalier, Gregory Forstner, Karim Ghelloussi, Sandra D. Lecoq, G\u00e9rald Panighi, Ingrid Maria Sinibaldi, on a proposal by Catherine Macchi, Galerie des Ponchettes, Nice<\/p>\n

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2004<\/strong><\/p>\n

Association KUB\/Galerie Soardi, with Denis Castellas and Val\u00e9rie Favre, Nice
\nBody Bilder,<\/em> curated by C\u00e9dric Teisseire, with ALaPlage, Caroline Boucher, Jean-Robert Cutta\u00efa, Brice Dellsperger, Natacha Lesueur, Ingrid Maria Sinibaldi and Jean-luc Verna, Kunsthalle Palazzo, Liestal, Switzerland
\nDecomplexed<\/em>, with Norbert Bisky, Steven Black, Galerie Jocelyn Wolff, Paris<\/p>\n

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2003<\/strong><\/p>\n

Lee 3 Tau Ceti Central Armory Show<\/em>, Centre d’Art Villa Arson, Nice<\/p>\n

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2001<\/strong><\/p>\n

Faculty of Letters, Nice<\/p>\n

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1999<\/strong><\/p>\n

Association KUB\/Galerie Gr\u00e9goire Gardette, with Ali Mahdavi, Marie Doria, Alain Pontarelli, Yannick Vernet, Nice
\nExhibition 109, Sophia Antipolis<\/p>\n<\/div>\n<\/div>\n

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GRANTS, AWARDS AND RESIDENCIES<\/strong><\/p>\n

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2009-08<\/strong>
\nResidence, Triangle, New York, USA<\/p>\n<\/div>\n

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2006<\/strong>
\nResidency and Workshop, Triangle, New York, USA<\/p>\n<\/div>\n

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2003<\/strong>
\nMatisse Prize, France
\nResidency in Berlin, Villa Arson (Golden Age network) 2003-02<\/p>\n<\/div>\n

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1994<\/strong>
\nFirst prize Festival Jeune Talent, Cagnes-sur-Mer (president of the jury Jacques Lepage)<\/p>\n

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INTERVENTIONS AND FAIRS<\/strong><\/p>\n

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2014<\/strong>
\nGregory Forstner – From the High Seas to the Burning South, October 31 Conference and Workshop at the Art School of Angers, November 6 and 7. Conference and Workshop at the Art School of Toulon from November 17th to 21st.<\/p>\n

Des Pas dans L’Escalier – FRAC Basse-Normandie (October 11 – November 23) Exhibited work : Coming back Home – Tea for Two (acquisition FRAC BN).<\/p>\n

Slick Art Fair – Dubois friedland Gallery – Brussels, Opening October 21-26<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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PUBLIC AND PRIVATE COLLECTIONS<\/strong><\/p>\n

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Mus\u00e9e de la Ville De Paris (ARC), Paris, France
\nMuseum of Modern and Contemporary Art,(MAMAC) Nice, France Museum of Grenoble, Grenoble, France
\nNational Contemporary Art Fund (FNAC), Paris, France
\nRegional Fund of Contemporary Art (FRAC), Alsace, France
\nFond Regional D’Art Contemporain, Haute Normandie, France
\nFond Regional D’Art Contemporain Basse-Normandie, France Sammlung Goetz, Munich, Germany
\nBernard Massini Foundation, Nice, France
\nClaudine and Jean-Marc Salomon Foundation, Alex, France
\nSACEM Foundation, France
\nRichard Massey Foundation, New York<\/p>\n

Presence in private collections<\/p>\n

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BIBLIOGRAPHY INDIVIDUAL CATALOGS<\/strong><\/p>\n

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2014<\/strong>
\nMy Hero<\/em> at Behind the Bathroom Editions in the Behind Journal – 2014
\nLa Fianc\u00e9e du Collectionneur<\/em> – (on the occasion of the exhibition at the Eva Vautier Gallery in Nice) published by Derri\u00e8re la Salle de Bains – 2014<\/p>\n

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2011<\/strong>
\nRain Dogs<\/em>, Galerie Zink, 2011, essay by Jeanette Zwingenberger. Published by Galerie Zink, Berlin<\/p>\n

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2009<\/strong>
\nThe Ship Of Fools<\/em>, texts Guy Tosatto, Ludwig Seyfart, Eckhardt Momber, Gregory Forstner, edition Mus\u00e9e de Grenoble, Galerie Zink\/Verlag F\u00fcr Moderne Kunst, 2009<\/p>\n

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2007<\/strong>
\nGr\u00e9gory Forstner \/ Easyover<\/em>, texts by Gilbert Perlein, Joseph Mouton, St\u00e9phanie Katz, Mamac edition, Nice, 96 p, French\/English\/German, 2007<\/p>\n<\/div>\n

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2006<\/strong>
\nGregory Forstner – Dit is de Minj<\/em>, catalog of the exhibition at the Galerie de l’UQAM, Montreal, text by Louise D\u00e9ry, \u00e9ditions Revolver verlag, Frankfurt \/ Main, 80p., French\/English\/German, October 2006<\/p>\n

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COLLECTIVE CATALOGS<\/strong><\/p>\n

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2013<\/strong>
\nE-Motion<\/em> \/ Bernard Massini Collection, Maeght Foundation, Saint-Paul de Vence, 2013
\nDe Leur Temps 4<\/em>, Hangar \u00e0 Bananes, Nantes, 2013
\n“Pi\u00e8ces Montr\u00e9es”<\/em> 30 years of collections, FRAC Alsace and Fernet Branca Foundation, Saint Louis, 2013
\nFetishism in Fashion<\/em>, by Lidewij Edelkoort, FRAME edition, 2013
\nLa Belle Peinture<\/em>, Bratislava, French Institute, Eva Hober Gallery, 2013<\/p>\n

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2012<\/strong>
\nLaugh and Cry<\/em>, Earnest and Algernon edition, 2012<\/p>\n<\/div>\n

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2011<\/strong>
\nThe beautiful painting is behind us<\/em>, Samat Limani, Istanbul, The French Institute of Turkey & Eva Hober Gallery, 2011<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Eva vautier Gallery<\/p>\n<\/div>\n

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2010<\/strong>
\nSic Transit Gloria Mundi<\/em>, texts Richard Leydier and the artists, Galerie Eva Hober, 2010 Salon Du Dessin Contemporain, Galerie Zink, Paris, France, 2010
\nCollection 3,<\/em> Salomon Foundation, Alex France, texts by Anne Malherbe and Jean-Marc Salomon, 2010<\/p>\n

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2007<\/strong>
\nArt Basel Miami, 2007
\nMade in France<\/em>, National Art Gallery of Sofia\/ National Museum of Fine Arts of Latvia, Riga, Lithuania, 2007
\nPeinture(s) g\u00e9n\u00e9ration 70<\/em>, Fondation pour l’art contemporain Jean-Marc et Claudine Salomon, text by Philippe Piguet and Anne Malherbe, edition of the Salomon Foundation, 110 pages, 2007 Notre temps II, texts by Philippe Piguet, Guy Tosatto, edition of the Mus\u00e9e de Grenoble
\nDialogues M\u00e9dit\u00e9rran\u00e9ens,<\/em> Suzanne van Hagen, Beaux-arts \u00e9ditions, 66 pages, 2007<\/p>\n

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2006<\/strong>
\nPROFILES<\/em> 15 years of artistic creation in France, P\u00e9ra stanbul Museum edition, May 2006<\/p>\n

Nos amours de vacances<\/em>, CIAC de Carros edition, July 2006<\/p>\n

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2005<\/strong>
\nLa r\u00e9serve<\/em>, text by Catherine Macchi, City of Nice, Direction Centrale des Affaires Culturelles – Galerie des ponchettes, 2005<\/p>\n

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2004<\/strong>
\nAssociation KUB\/Galerie Gr\u00e9goire Gardette, with Ali Mahdavi, Marie Doria, Alain Pontarelli, Yannick Vernet, Nice, 2004<\/p>\n

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2003<\/strong>
\nLee 3 Tau Ceti Central Armory Show,<\/em> Villa Arson edition, Nice, 2003<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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