{"id":80859,"date":"2023-03-13T16:45:30","date_gmt":"2023-03-13T17:45:30","guid":{"rendered":"https:\/\/2023.eva-vautier.com\/portfolio-item\/anne-laure-wuillai\/"},"modified":"2023-07-31T16:41:34","modified_gmt":"2023-07-31T17:41:34","slug":"anne-laure-wuillai","status":"publish","type":"portfolio","link":"https:\/\/eva-vautier.com\/en\/portfolio-item\/anne-laure-wuillai\/","title":{"rendered":"Anne-Laure Wuillai"},"content":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none”][vc_column css=”.vc_custom_1586675709486{margin-right: 10% !important;}”][vc_tabs style=”horizontal”][vc_tab title=”Presentation” tab_id=”1410959083-1-033f7-6b51″][vc_column_text css=”.vc_custom_1647017164732{margin-right: 10% !important;margin-left: 10% !important;}”]\"\"<\/a><\/p>\n

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Anne-Laure Wuillai<\/strong><\/p>\n

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The artist translates the fluctuations, the alternating forms of ice, liquid or vapor while designating a totality. Transparency is measured by the transparency of the material where it is deposited. The container and the content cross in a game of mirror and the color is formulated as a simple hypothesis. Everything is captured with extreme precision, in an almost clinical gesture. Nothing disturbs a research that is always exercised in a fragile balance, in a precarious state when the slightest deviation would jeopardize the experience.<\/p>\n

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Each work is based on a moment of visibility for a silent meditation and even austere if it were not marked by this fluidity, at the moment when the material drowns happily in the color. Water is offered to us here in all its potentialities but, above all, the artist manages to seize its pure essence, from the formlessness from which it comes.<\/p>\n

Scientific rigor and technical perfection coincide in an intense poetry, a rigorous reflection, to reveal the soul of things. […]<\/p>\n

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Anne-Laure Wuillai’s work does not describe anything, it defines the material. But perhaps it says something else, something more distant, something more serious. What Bachelard stated thus: “The knowledge of the real is a light which always projects some shadows somewhere”.<\/p>\n

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This darker part is not to be found in dreams but in the realities of the world. These sculptures-objects thus display the signs, or rather the stigmata of a threatened sea. The artist confides: “I like to think, with a touch of black humor, that one day there would be so much packaging in our oceans, that it would end up packing the entire sea. This water, it is a question of collecting it, of possessing it, as if through it we were taking over the world. Reality then confronts the dream. And it is in this interstice that the work is elaborated.<\/p>\n

Michel Gathier (extract)<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_tab][vc_tab title=”Biography” tab_id=”1410959496581-2-133f7-6b51″][vc_column_text css=”.vc_custom_1684689173085{margin-left: 10% !important;}”]Anne-Laure Wuillai<\/strong><\/p>\n

Born in 1987 in Versaille<\/p>\n

Lives and works in Nice<\/p>\n

PERSONAL EXHIBITIONS<\/strong><\/p>\n

2016 <\/b><\/p>\n

Carte blanche sonore<\/em>, interview with Laurie Etourneau and Jano\u00e9 Vulbeau 59’59” broadcast for Motifs Pluriels<\/i><\/p>\n

Radio Campus Lille<\/p>\n

2015 <\/b><\/p>\n

Installation 06.03.15<\/em> for the association Les Nuits de Pleine Lune<\/p>\n

La M\u00e9canique Ondulatoire<\/em>, Paris 11\u00e8<\/p>\n

2014<\/b><\/p>\n

These copies that we form, <\/i>DNSAP exhibition<\/p>\n

Left Gallery, ENSBA Paris 6\u00e8<\/p>\n

GROUP EXHIBITIONS<\/strong><\/p>\n

2021 <\/strong><\/p>\n

Festival Artifices num\u00e9riques #04 – V\u00e9g\u00e9talisons, L’Entre-Pont, Nice<\/div>\n
Art on the horizon, Ben and guests, com. Eva Vautier, La Conciergerie, La Motte-Servolex Or\u00e9es, Collectif PALAM and invited artists, Maison Abandonn\u00e9e [Villa Cameline], Nice La grande diagonale, La Station and EESAB Quimper, Espace Bellevue, Douarnenez NOMADE project, METAXU, Toulon<\/div>\n
Superficial, com. Camille Frasca and Antoine Py, Mansart Gallery, Paris<\/div>\n
100 TITLES, com. association Mat\u00e9riaux Mixtes, Atelier Patrick Frega, Nice<\/div>\n
With Pleasure #3, Eva Vautier Gallery, Nice<\/div>\n
2020<\/strong><\/div>\n
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Voil\u00e0 l’\u00e9t\u00e9, La Station et la ville de Nice, Le 109, P\u00f4le de cultures contemporaines, Nice 1 m\u00e8tre de distance, Galerie Eva Vautier, Nice
\n“Fire, Walk With Me !”, Anatole Jakovski Museum of Naive Art, Nice
\nUnder the ice, the water, Collectif PALAM, com. EntreDeux, with L\u00e9lia Decourt and Rebecca Fran\u00e7ois, Caisse d’\u00c9pargne Mass\u00e9na branch, Nice<\/p>\n

“In the presence of…”, PALAM, Beno\u00eet Barbagli, Tom Barbagli, Omar Rodriguez Sanmartin, Florent Testa, Sainte-Elisabeth Chapel, Villefranche-sur-Mer
\nWith Pleasure #2, Eva Vautier Gallery, Nice<\/p>\n

2019<\/b><\/p>\n<\/div>\n

Azimuth<\/i><\/p>\n

Beno\u00eet Barbagli, Tom Barbagli, Evan Bourgeau, Camille Franch-Guerra, Omar Rodriguez Sanmartin, Florent Testa, Anne-Laure Wuillai<\/p>\n

Eva Vautier Gallery, 2 rue Vernier, Nice<\/p>\n

2018 \/ 2019<\/b><\/p>\n

With Pleasure<\/i><\/p>\n

Group exhibition with the artists of the Eva Vautier Gallery<\/p>\n

Eva Vautier Gallery, 2 rue Vernier, Nice<\/p>\n

2018<\/b><\/p>\n

Nopoto<\/i><\/p>\n

Collective exhibition on an invitation from Mat\u00e9riaux Mixtes<\/p>\n

Atelier Patrick Frega, 3 rue Martin Seytour, Nice<\/p>\n

2018<\/b><\/p>\n

Wild thoughts<\/i><\/p>\n

Group exhibition on an invitation from No Made<\/p>\n

Curated by Florent Testa and St\u00e9phanie Laubry<\/p>\n

Garden of the Villa Roc Fleury, Cap-d’Ail<\/p>\n

<\/b>2018<\/b><\/p>\n

Tr\u00e0 e Stelle<\/i><\/p>\n

Collective exhibition on an invitation from La Station and Utopia Artists’ residency<\/p>\n

Carpenters of Corsica, Piedigriggio, Haute-Corse<\/p>\n

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2018<\/b><\/p>\n

100 TITLES<\/i><\/p>\n

Commissariat mixed materials association<\/p>\n

Bel Oeil, 12 rue Emmanuel Philibert, Nice<\/p>\n

<\/b>2018<\/b><\/p>\n

Notice of high costs<\/i><\/p>\n

Collective exhibition on an invitation from La Station, curated by Hanna Baudet<\/p>\n

Le Suquet des Art(iste)s, 7 rue Saint-Dizier, Cannes<\/p>\n

<\/b><\/p>\n

2018<\/b><\/p>\n

Tanks<\/i><\/p>\n

As part of Curiosity(s), organized by the association Botox(s)<\/p>\n

Tom Barbagli, Evan Bourgeau, Camille Franch Guerra,<\/p>\n

Igor Marchal, Florent Testa, Caroline Trucco, Anne-Laure Wuillai<\/p>\n

Workshop 28, Vieux Chemin de Gairaut, Nice<\/p>\n

<\/b>2017<\/b><\/p>\n

OPEN HOUSE WORKSHOP 28<\/i><\/p>\n

Igor Marchal, Florent Testa, Tom Barbagli, Anne-Laure Wuillai<\/p>\n

Workshop 28, Vieux Chemin de Gairaut, Nice<\/p>\n

2017<\/b><\/p>\n

A COLLECTION #4<\/i><\/p>\n

Group exhibition on an invitation by Marie-France Frasca<\/p>\n

Curated by Camille Frasca and Antoine Py<\/p>\n

Villa Riviera Cottage, Nice<\/p>\n

2017<\/b><\/p>\n

Elementary, the rule of the game<\/i><\/p>\n

Tom Barbagli, Charlie Chine, Jacqueline Gainon, Anne-Laure Wuillai, Agn\u00e8s Vitani<\/p>\n

Eva Vautier Gallery, 2 rue vernier, Nice<\/p>\n

2017<\/b><\/p>\n

Behind the sea<\/i><\/p>\n

Anne-Laure Wuillai and Beno\u00eet Barbagli<\/p>\n

Gallery of Beuil, Place de l’\u00e9glise, Beuil<\/p>\n

2016<\/b><\/p>\n

OPEN HOUSE WORKSHOP 28<\/i><\/p>\n

Igor Marchal, Florent Testa, Tom Barbagli, Anne-Laure Wuillai<\/p>\n

Workshop 28, Vieux Chemin de Gairaut, Nice<\/p>\n

2015<\/b><\/p>\n

Dear Objects #2<\/i><\/p>\n

Curated by the Trid\u00e9cagone collective<\/p>\n

With Fr\u00e9d\u00e9ric Vincent and Cannelle Tanc<\/p>\n

Immanence art space, Paris 15\u00e8<\/p>\n

2015<\/b><\/p>\n

Dear Objects #1<\/i><\/p>\n

Curated by the Trid\u00e9cagone collective<\/p>\n

Refectory of the Cordeliers, Paris 6\u00e8<\/p>\n

2013<\/b><\/p>\n

France in copy<\/i><\/p>\n

Retrospective of an itinerant trip in North America<\/p>\n

Exhibition realized under the supervision of Marie-Jos\u00e9 Burki<\/p>\n

Left Gallery, ENSBA Paris 6\u00e8<\/p>\n

2013<\/b><\/p>\n

Randomness of sets<\/i><\/p>\n

With the participation of Djamel Tatah and a selection of students from his workshop<\/p>\n

GAC, Contemporary Art Group of Annonay<\/p>\n

2011<\/b><\/p>\n

Tatah Yoyo<\/i><\/p>\n

Exhibition organized by the students of Djamel Tatah and Giuseppe Penone<\/p>\n

Right Gallery, ENSBA Paris 6\u00e8<\/p>\n

RESIDENCES<\/b><\/p>\n

2018<\/b><\/p>\n

UTOPIA Artists’ residency, with Verana Costa<\/p>\n

Carpenters of Corsica, Piedigriggio, Haute-Corse<\/p>\n

SCHOLARSHIPS<\/b><\/p>\n

<\/b>2014<\/b><\/p>\n

Grant from theOffice Franco-Qu\u00e9b\u00e9cois pour la Jeunesse<\/i><\/p>\n

Study tour in Montreal, for the Looking Forward<\/i> Biennial<\/p>\n

2013<\/b><\/p>\n

Colin Lefranc<\/i> Grant<\/p>\n

Exchange program at the Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/p>\n

PUBLICATIONS<\/b><\/p>\n

<\/b><\/p>\n

2015<\/b><\/p>\n

Exhibition catalog Dear Objects<\/i>, “To be noted in the agenda<\/i><\/p>\n

Text written by Sacha Alexandre Pevak, Beaux-Arts de Paris \u00e9ditions<\/p>\n

2015<\/b><\/p>\n

2014 Graduates<\/i> Catalogue, Beaux-Arts de Paris \u00e9ditions<\/p>\n

2013<\/b><\/p>\n

Exhibition catalog Random sets<\/i><\/p>\n

Text written by Guitemie Maldonado, Beaux-Arts de Paris \u00e9ditions<\/p>\n

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TRAININGS<\/b><\/p>\n

2014<\/b><\/p>\n

DNSAP, \u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts de Paris<\/p>\n

Djamel Tatah workshop, theoretical follow-up Didier Semin<\/p>\n

2nd Cycle (September 2012 to November 2014)<\/p>\n

2013<\/b><\/p>\n

Bachelor of Visual Arts, Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/p>\n

Academic Exchange Program (January to June 2013)<\/p>\n

2012<\/b><\/p>\n

DNAP, \u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts de Paris<\/p>\n

Dominique Gauthier and Djamel Tatah workshops<\/p>\n

1st Cycle (September 2009 to June 2012)<\/p>\n

2008<\/b><\/p>\n

Double Degree II Plastic and Applied Arts<\/p>\n

Preparatory class for the \u00c9cole Normale Sup\u00e9rieure de Cachan – Lyc\u00e9e Rive Gauche<\/p>\n

University of Toulouse II Le Mirail<\/p>\n

(September 2006 to September 2008)[\/vc_column_text][\/vc_tab][vc_tab title=”Selection of works” tab_id=”1410959083-2-833f7-6b51″][vc_column_text css=”.vc_custom_1610040066843{margin-top: 0px !important;margin-right: 5% !important;margin-bottom: 100px !important;margin-left: 5% !important;}”]<\/p>\n

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[\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":83331,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":[],"portfolio-types":[1805],"class_list":["post-80859","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-types-artist"],"yoast_head":"\nAnne-Laure Wuillai ~ Galerie Eva Vautier<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eva-vautier.com\/en\/portfolio-item\/anne-laure-wuillai\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anne-Laure Wuillai ~ Galerie Eva Vautier\" \/>\n<meta property=\"og:description\" content=\"[\u2026]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/eva-vautier.com\/en\/portfolio-item\/anne-laure-wuillai\/\" \/>\n<meta property=\"og:site_name\" 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