The Galerie Eva Vautier is pleased to present the exhibition Battre l’oubli - Bruit originaire (Acte IV) by Charlotte Pringuey Cessac.
The Galerie Eva Vautier is pleased to present the exhibition Battre l’oubli - Bruit originaire (Acte IV) by Charlotte Pringuey Cessac. After two exhibitions in 2019, at the MAMAC and at the Musée Terra Amata, Charlotte Pringuey Cessac returns with a fourth instalment of the Bruit originaire project. This exhibition combines the intimate and the universal. For this new invitation to a journey through time, the artist blends a love story, art history and Prehistory. “The studio is that space where the impossible gives way to fantasy and where matter is queen. A space withdrawn from the world, from where I can observe it, and Embrace solitude in order to question myself better: How to approach a new form, if not by embracing it? By grasping it bodily? By shaping it with the tips of my fingers? By Experiencing it body and soul?” (Charlotte Pringuey Cessac, 2024) A graduate of the Villa Arson (Nice) in 2007, Charlotte Pringuey Cessac anchors her artistic research in the real, in order to divert it and lead it towards a poetic and aesthetic reflection. Her works refer to concrete data drawn from sites, specific situations or archaeological digs, which the artist attempts to inscribe plastically within a history of memory, of trace, of narrative. With a resolutely protean practice, the artist moves from one medium to another, from one material to another, in close relation to the intention of a narrative. Upstairs at the gallery, Charlotte Pringuey Cessac invites the artist Foteini Chalkia, recently graduated from the LUCA School of Arts in Brussels, to present a series of works around the memory of objects and their fragility. 15.06.2024. Views of the exhibition of Charlotte Pringuey Cessac, Battre l’oubli - Bruit originaire (Acte IV) © Photos François Fernandez
